tag:blogger.com,1999:blog-13237967954626026952024-02-07T02:48:33.822-08:00tag gallery blogIn this blog we will keep you up to date on events at TAG Gallery.
TAG Gallery represents Southern California contemporary artists working in a variety of media and styles.
TAG offers a welcoming and stimulating art environment through exhibitions, artist talks, and other public events.
This site has images of nudity -- artists have worked with the nude figure for centuries.RakeemChttp://www.blogger.com/profile/16636168896704520255noreply@blogger.comBlogger411125tag:blogger.com,1999:blog-1323796795462602695.post-15243841965713097002019-04-28T05:32:00.000-07:002019-04-28T05:32:27.359-07:00Last Blog PostOn hiatus.<br />
<br />
<span style="font-size: large;"><b><a href="https://www.taggallery.net/">See you over on the TAG website!</a></b></span><br />
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<tr><td class="tr-caption" style="text-align: center;">Installation of the 2019 LA Open</td></tr>
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<span style="font-size: large;"><b><br /></b></span>Unknownnoreply@blogger.com05458 Wilshire Blvd, Los Angeles, CA 90036, USA34.0621228 -118.347610499999977.6725807999999986 -159.65620699999997 60.451664799999996 -77.03901399999998tag:blogger.com,1999:blog-1323796795462602695.post-90332278525424178482018-12-04T06:00:00.000-08:002018-12-04T06:00:09.088-08:00Artist Spotlight: Deborah Decker -- Memory<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPyB4skSne7wtE4KTDnFZy9nT4SlkawknlXghVSiuGWrLWayDfqzBzbZ5spTcg1GAp1co_PCN31z1_HyBflro8vueaXgZBt8qULmDCVAQH0fQjQOCCtTpHl7tskFe05wbbjSQGolovcW_M/s1600/decker1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1125" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPyB4skSne7wtE4KTDnFZy9nT4SlkawknlXghVSiuGWrLWayDfqzBzbZ5spTcg1GAp1co_PCN31z1_HyBflro8vueaXgZBt8qULmDCVAQH0fQjQOCCtTpHl7tskFe05wbbjSQGolovcW_M/s640/decker1.jpg" width="426" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Deborah Decker</td></tr>
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TAG presents <i>Memory</i>, a series of drawings by Deborah Decker. Decker considers herself a figurative artist, however in these works, non-representation provided her with a broader dialogue from which to develop a separate code of psychological schisms, complexities and energy. Therefore, abstraction affords her the opportunity to physically translate memories directly into optical information.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNbc_rchkaYVSHmIGSrXHb3pdgcJ7b00XtGvs3o4JJsZ6bVrxOGXJgWMB7CSJglGq_uhZBer2rZHF03vc8N0UCpjkeg4XuqnI49yUjsQrzQDCxTICyukRPscxiTRV29nqVOc7BrzEwppR8/s1600/decker2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1125" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNbc_rchkaYVSHmIGSrXHb3pdgcJ7b00XtGvs3o4JJsZ6bVrxOGXJgWMB7CSJglGq_uhZBer2rZHF03vc8N0UCpjkeg4XuqnI49yUjsQrzQDCxTICyukRPscxiTRV29nqVOc7BrzEwppR8/s640/decker2.jpg" width="426" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Deborah Decker</td></tr>
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"The visceral feelings of the graphite across the paper, the stretch of my arm, the full movement of my body, the push and flow of the graphite became a catalyst in igniting haunting memories of sexual, physical, and emotional abuse which seem to now be a part of my DNA.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAzvNf1A7Z17Bi9ugul9HF2mykJyhAK-iKlHU8v0T2cJ2yyLKfGGb8OrLPyW0EP3Z3Ef-uzhP9kYM611gPz3mLmn3gxFYegipcU84CpRj8Rsmh0pksInSvGgmSrgfxvyuMD7sPQaTEx6Yp/s1600/I-don%2527t-know%252C-Graphite-and-Pastel-on-Paper%252C-16_-x-45_%252C-2018.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="318" data-original-width="1000" height="202" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAzvNf1A7Z17Bi9ugul9HF2mykJyhAK-iKlHU8v0T2cJ2yyLKfGGb8OrLPyW0EP3Z3Ef-uzhP9kYM611gPz3mLmn3gxFYegipcU84CpRj8Rsmh0pksInSvGgmSrgfxvyuMD7sPQaTEx6Yp/s640/I-don%2527t-know%252C-Graphite-and-Pastel-on-Paper%252C-16_-x-45_%252C-2018.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Deborah Decker, <i>I Don't Know</i>, Graphite and pastel on paper, 16 x 45"</td></tr>
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With insidious cunning the deep and haunting memories again bubble up into my consciousness as I relive them with each stroke. Time and events merge and awaken in flashes of sexual, physical, and emotional abuse, which I am never seem to be able to bury deep enough. Then perhaps a touch, a sound, or a word, and like an old friends they simple call to reminisce."<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhtxPkjgf2bv3w-zPllCmdCUXV5EWsCBh_cbI01alDbqZij6nXHLaiKAJI2b-C7mchn7r4ml9UFAUpgkf4YiT5tBc3KGOBhTPARcfQlCjI5Nuw0r82W459Glm0Nbe4ZJqg1O2SJiMVVpgi/s1600/decker3.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1125" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhtxPkjgf2bv3w-zPllCmdCUXV5EWsCBh_cbI01alDbqZij6nXHLaiKAJI2b-C7mchn7r4ml9UFAUpgkf4YiT5tBc3KGOBhTPARcfQlCjI5Nuw0r82W459Glm0Nbe4ZJqg1O2SJiMVVpgi/s640/decker3.jpg" width="426" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Deborah Decker</td></tr>
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<b>The Exhibition runs through Saturday December 15</b><br />
<b>Artist Talk: Saturday, December 15, 3pm</b>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1323796795462602695.post-42442360797448821822018-11-29T06:00:00.000-08:002018-11-29T06:00:04.572-08:00Artist Spotlight: Shelley Lazarus -- H2O works<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQqMpCxDh7Uu2bSZBil3BG4tixBRb9yT6xr4eORrSaa2SmPz2mqOyim0s50-I3ASO3PHCES1eru97iJCtLM5HFqzcvEtAeAYuv6CeSILt6B-nKmSoWOLAi8AeAu_yrru9fIOSSeiQUKfgD/s1600/Lazarus%252Bwild-sky.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1000" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQqMpCxDh7Uu2bSZBil3BG4tixBRb9yT6xr4eORrSaa2SmPz2mqOyim0s50-I3ASO3PHCES1eru97iJCtLM5HFqzcvEtAeAYuv6CeSILt6B-nKmSoWOLAi8AeAu_yrru9fIOSSeiQUKfgD/s640/Lazarus%252Bwild-sky.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Shelley Lazarus, <i>Wild Sky</i>, Watercolor, 12 x 12"</td></tr>
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“No matter where I find myself; looking up at clouds, watching the ocean, looking down at rooftops, or just a set up in my studio, the fluidity and immediacy of watercolor bring out my first impressions. My love affair with watercolor first began during my travels in the 1970s and has never wavered. But never the purist I love to add other mediums to my works always looking for new ways to express my visions.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrGwW8a3azv_weEDrY2c937k5auTRUGbo7PDBk256bXUggr2Y4XgFNqNNDIReAam3nNXlZ8g7evqxDrUgSUnrtQD8INdpsUs4qcEjB3ScIDJebNPJmTLIDv8ZrWum_noikAxG2gVo_L4Vw/s1600/Lazarus%252BRoad.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1394" height="550" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrGwW8a3azv_weEDrY2c937k5auTRUGbo7PDBk256bXUggr2Y4XgFNqNNDIReAam3nNXlZ8g7evqxDrUgSUnrtQD8INdpsUs4qcEjB3ScIDJebNPJmTLIDv8ZrWum_noikAxG2gVo_L4Vw/s640/Lazarus%252BRoad.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Shelley Lazarus, <i>The Road</i>, Watercolor, 12 x 12"</span></td></tr>
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Spending weekends going back and forth from LA to Ventura I have begun an adventure with clouds and ocean waves. The patterns of the clouds and their effect on the landscape are just what my watercolors were made for. In this show I have tried to portray the clouds and waves on different surfaces.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjY7Tkpvsf4Gx2ZWswnYs5v9oVaT9YK3eHHVGc-Uewrx4Q-qv8wzwnt2om6OZXEbvDEFkxfWdConhHt1gFuQjOzXLdm3kghHm2SEACF5v5VUgDK5z-_xM0-3K-L-RE_JCmeWCFP6SxUSxfd/s1600/Lazarus%252Bsky-above-water.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1006" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjY7Tkpvsf4Gx2ZWswnYs5v9oVaT9YK3eHHVGc-Uewrx4Q-qv8wzwnt2om6OZXEbvDEFkxfWdConhHt1gFuQjOzXLdm3kghHm2SEACF5v5VUgDK5z-_xM0-3K-L-RE_JCmeWCFP6SxUSxfd/s640/Lazarus%252Bsky-above-water.jpg" width="472" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Shelley Lazarus, <i>The Sky Above Water,</i> Watercolor, 16 x 13"</td></tr>
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<i>Clouds Got In the Way</i> is a song my son was very fond of. This exhibition is dedicated to his memory and to the Robert David Lazarus Pulmonary Unit at Cedar-Sinai Hospital. The proceeds from this show will go to that unit.”<br />
-Shelley Lazarus<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSgtCFZJRBqkboE9GRmcl8OuvGdtwTTlKpm2DpCmBmeH3xTS9BEU0DRwWoecwbNM8FSvN36Bs2fG8ITkpFEmwu2CII-Wu9g_-EsIRHDraP1YP6ebQ3HyQhcvMpD71xOpDtpZsAeki48wrv/s1600/Lazarus%252Btrois-fleurs.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1147" data-original-width="1500" height="488" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSgtCFZJRBqkboE9GRmcl8OuvGdtwTTlKpm2DpCmBmeH3xTS9BEU0DRwWoecwbNM8FSvN36Bs2fG8ITkpFEmwu2CII-Wu9g_-EsIRHDraP1YP6ebQ3HyQhcvMpD71xOpDtpZsAeki48wrv/s640/Lazarus%252Btrois-fleurs.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Shelley Lazarus, <i>Trois Fleurs</i>, Watercolor, 18 x 22"</span></td></tr>
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Shelley has been teaching at the Brentwood Art Center for over 25 years and is one of the founding members of TAG.<br />
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<b>The Exhibition runs through Saturday December 15</b><br />
<b>Reception: Saturday, December 1, 5-8 p.m.</b><br />
<b>Artist Talk: Saturday, December 15, 3pm</b>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1323796795462602695.post-54663758913558885032018-11-27T06:00:00.000-08:002018-11-27T06:00:01.466-08:00Artist Spotlight: Joe Pinkelman -- America<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifcnB6_fTyrpSSYX7qWoj142QGARoyxkmWak7oRqf6TbMsJ0_QMf4YtVL4lfY_LCcdt2Q_OKbSSmOHv1p_nTs28y_fh9_et7dIsBal0KbYe4S4o6c5H84Ajl-qCog3HgeENE7aAVE1F8Fm/s1600/land-is-our-land.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1000" data-original-width="1500" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifcnB6_fTyrpSSYX7qWoj142QGARoyxkmWak7oRqf6TbMsJ0_QMf4YtVL4lfY_LCcdt2Q_OKbSSmOHv1p_nTs28y_fh9_et7dIsBal0KbYe4S4o6c5H84Ajl-qCog3HgeENE7aAVE1F8Fm/s640/land-is-our-land.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Joe Pinkelman, <i>This Land is Our Land (White Immigrants First)</i>, Ceramic, 22 x 19 x 20"</td></tr>
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TAG presents <i>America</i>, a new body of work by ceramicist Joe Pinkelman.<br />
Pinkelman was strongly influenced by two books, <i>We Were Eight Years in Power</i> by Ta-Nehisi Coates and <i>Stamped from the Beginning: The Definitive History of Racist Ideas in America</i> by Ibram X. Kendi. The books examine historical and current racism in America.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEji5O4mpzC4zqjzDTOyu2xWIssaw_G-rj1UQq_wXRsy8ZPSeAoYtjGVQoz82DowTyFy-966TWVu24Zr72zZpFWQb5PPkGToEKIhiMoxZBo3eHWeKy9Kc9DKGqsgBq57pbO77KRc52MBrHFP/s1600/double-good.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1000" data-original-width="1500" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEji5O4mpzC4zqjzDTOyu2xWIssaw_G-rj1UQq_wXRsy8ZPSeAoYtjGVQoz82DowTyFy-966TWVu24Zr72zZpFWQb5PPkGToEKIhiMoxZBo3eHWeKy9Kc9DKGqsgBq57pbO77KRc52MBrHFP/s640/double-good.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Joe Pinkelman, <i>I Promise To Be Double (White) Good (Standards for White Folk Are Much Lower)</i>, Ceramic, 22 x 13 x 12"</td></tr>
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Pinkelman only begins to scratch the surface of the deplorable treatment that black Americans have received since the 17th century. His examination is further limited because it comes from a white male for who the US system was tailored.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqIQ51cwZpCm4LCC2SQAWfUp3_gjZzUYsMqPZdLXCVtcysU0_xD1ICPjBpAm6E0w-NRAN15gbeU25XXiu2aONRgxqP36JLI70DUhNB5N_o2F1vVqxVi32eH0MskoGqAchrdwHJcVtTKEjj/s1600/trayvon.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1365" height="562" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqIQ51cwZpCm4LCC2SQAWfUp3_gjZzUYsMqPZdLXCVtcysU0_xD1ICPjBpAm6E0w-NRAN15gbeU25XXiu2aONRgxqP36JLI70DUhNB5N_o2F1vVqxVi32eH0MskoGqAchrdwHJcVtTKEjj/s640/trayvon.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Joe Pinkelman, <i>In Memory of Trayvon Martin (My Blood is Red Like Yours)</i>, Ceramic, 22 x 20 x 3"</td></tr>
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As there are too many to count or list, this body of work tries to collectively visualize a portion of egregious actions.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjetkZfgXk0MMQjqlKkVzrlKEUdZoY-GS8gcQwv9gl-sSwL6cBYhskmI_Ss8eaRmPg7V-RqfNz1yEeCKIhKZsFCXFY41PX_ZEC3p6lOqZyYqjzu3Qw_xYRZlh0tSCOo73wIS2mxddbU134-/s1600/incarceration.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1000" data-original-width="1500" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjetkZfgXk0MMQjqlKkVzrlKEUdZoY-GS8gcQwv9gl-sSwL6cBYhskmI_Ss8eaRmPg7V-RqfNz1yEeCKIhKZsFCXFY41PX_ZEC3p6lOqZyYqjzu3Qw_xYRZlh0tSCOo73wIS2mxddbU134-/s640/incarceration.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Joe Pinkelman, <i>Incarceration is the New Plantation (Change the Criminal Justice Code)</i>, Ceramic, 22 x 13 x 12"</td></tr>
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<b>The Exhibition runs through Saturday December 15</b><br />
<b>Reception: Saturday, December 1, 5-8 p.m.</b><br />
<b>Artist Talk: Saturday, December 15, 3pm</b>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1323796795462602695.post-17232480231764237712018-11-19T13:33:00.000-08:002018-11-19T13:48:53.233-08:00Current Exhibition: Deborah Decker, Shelley Lazarus, Joe Pinkelman<b>Tuesday November 20 - Saturday December 15<br />Reception: Saturday, December 1, 5-8 p.m.</b><br />
<b>Artist Talk: Saturday, December 15, 3pm</b><div>
<b><br /></b></div>
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<b>Deborah Decker -- <i>Memory</i></b></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhX7t-HtzPj753g4ibd2DqqDciYs-aVNs0ND8jGUvEhvWVwi64oPFGQ1PZHIIyYC16Q1-gAA_yvO9RKEBCASbZDLqZ0Gh_npPG_RAjqTH8yVmeTULJHEAOwbRBFCYb7ulgKSV_HDEdWyiU6/s1600/Night+Ride%252C+Graphite+on+Paper%252C+48_+x+105_%252C+2018.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="725" data-original-width="1600" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhX7t-HtzPj753g4ibd2DqqDciYs-aVNs0ND8jGUvEhvWVwi64oPFGQ1PZHIIyYC16Q1-gAA_yvO9RKEBCASbZDLqZ0Gh_npPG_RAjqTH8yVmeTULJHEAOwbRBFCYb7ulgKSV_HDEdWyiU6/s640/Night+Ride%252C+Graphite+on+Paper%252C+48_+x+105_%252C+2018.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Deborah Decker, <i>Night Ride</i>, Graphite on Paper, 48 x 105"</td></tr>
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<div>
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<b>Shelley Lazarus -- <i>H2O works</i></b></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaAhvHcfKbs3usLUDtX4qL6nnrElG_lKn1XUPaqX9WpLFapHfmhUD1wdWDHocWSJF7Rn_uNdE5m7575UOEVfnTedtS98__Pou1AoYgnHEBnOE_a2eZ4PJYkWsBYKGb11RxGPgWZo6AVnX_/s1600/Lazarus%252Bventura-hills.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="554" data-original-width="1500" height="232" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaAhvHcfKbs3usLUDtX4qL6nnrElG_lKn1XUPaqX9WpLFapHfmhUD1wdWDHocWSJF7Rn_uNdE5m7575UOEVfnTedtS98__Pou1AoYgnHEBnOE_a2eZ4PJYkWsBYKGb11RxGPgWZo6AVnX_/s640/Lazarus%252Bventura-hills.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Shelley Lazarus, <i>Ventura Hills</i>, Watercolor, 12 x 21"</td></tr>
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<div>
<b>Joe Pinkelman -- <i>America</i></b></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPJ8ZPy6vsDicr8Fibia9YMoDFG8_m5rs_yjVPc_CpD3e5-GRu3JB6WIN8RYpj15whh5MOua8NqfaCAengRJNoQu93kLTxE_7KFuxehpK_YftsydPXM6DbYa5CVPe329pj8Y-mabcn7Eo2/s1600/pinkelman_18.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="664" data-original-width="1000" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPJ8ZPy6vsDicr8Fibia9YMoDFG8_m5rs_yjVPc_CpD3e5-GRu3JB6WIN8RYpj15whh5MOua8NqfaCAengRJNoQu93kLTxE_7KFuxehpK_YftsydPXM6DbYa5CVPe329pj8Y-mabcn7Eo2/s640/pinkelman_18.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Joe Pinkelman, <i>I Can’t Breathe (In Memory Of Eric Garner)</i>, Ceramic, 8” x 18” x 12”</td></tr>
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<div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1323796795462602695.post-28507156514861556212018-11-06T06:00:00.000-08:002018-11-08T06:57:20.356-08:00Artist Spotlight: Damon Reinagle - Hidden Agendas<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBfiaVMBPSmOn33wxdwoiFCdjMQPzq7OA8j1sxrGtQoQHyrRBNkKKz_JZjySv0gbdVK7GZNEd0EUEjSvycQY0-b49vMyDwnmRvqKPHYXAVLnTXBpmpFiZkH9Ql9fj0r6QIlExiVP2dmEvZ/s1600/Hummingbird%252Bof%252B.jpeg" imageanchor="1"><img border="0" data-original-height="922" data-original-width="1229" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBfiaVMBPSmOn33wxdwoiFCdjMQPzq7OA8j1sxrGtQoQHyrRBNkKKz_JZjySv0gbdVK7GZNEd0EUEjSvycQY0-b49vMyDwnmRvqKPHYXAVLnTXBpmpFiZkH9Ql9fj0r6QIlExiVP2dmEvZ/s640/Hummingbird%252Bof%252B.jpeg" width="640" /></a></div>
TAG Gallery presents <i>Hidden Agendas</i>, a series of works by painter Damon Reinagle. Reinagle has been a surreal aficionado, with admiration for the dream-like vistas of Marc Chagall and Salvador Dali. This coupled with his love for the magical swirling colors and imagery of Yoshitaka Amano, has inspired Damon to explore patterns and symbols that evoke decadence and decay, but at the same, joy and hopefulness.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZzjpLN4hySHR7zQrw4TbWz0ihrrpbgRzOpbvUXzWFjvqx_qTCME4jX3xGf6Hvn_m7VEWcFHNZby-CxI3B9UHc4Xb_ukOlRkOulANt9lwqXZRtXtVJ9FuwX3uOerpojy0yvTKF1MGJr6cw/s1600/cathedral%252Bof%252Bto%252Bcopy%252B300P.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1235" data-original-width="961" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZzjpLN4hySHR7zQrw4TbWz0ihrrpbgRzOpbvUXzWFjvqx_qTCME4jX3xGf6Hvn_m7VEWcFHNZby-CxI3B9UHc4Xb_ukOlRkOulANt9lwqXZRtXtVJ9FuwX3uOerpojy0yvTKF1MGJr6cw/s640/cathedral%252Bof%252Bto%252Bcopy%252B300P.jpeg" width="494" /></a></div>
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With his doll head series, Reinagle depicts his characters with a classical feel as though the porcelain-like portraits are ageless, yet fragile in nature. Often set against crumbling, depleted architectural facades, the heads suggest that there may be a silver lining after all, with a delicate butterfly or hummingbird about.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmPIvL2fsGXWFIv8vQ0r3IKC3HxwdSvodAw3rMDRWFxNLZXlgATPBT9DWkW8I5E1IZxvJOZqteyxGh5QBIw0uJrFcHPrWwAPCQMSIr2rWFVIpUb8afrQ5Lfr01hyphenhyphenvENovLiLqFOC2aub4z/s1600/Reinagle%252C%252BDamon%252B-%252B_Lava%252Bheart_%252B.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1148" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmPIvL2fsGXWFIv8vQ0r3IKC3HxwdSvodAw3rMDRWFxNLZXlgATPBT9DWkW8I5E1IZxvJOZqteyxGh5QBIw0uJrFcHPrWwAPCQMSIr2rWFVIpUb8afrQ5Lfr01hyphenhyphenvENovLiLqFOC2aub4z/s640/Reinagle%252C%252BDamon%252B-%252B_Lava%252Bheart_%252B.jpeg" width="414" /></a></div>
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Reinagle’s use of a heart as both a romantic symbol as well as a negative shape emerging from tangled thorns, presents the viewer with the dichotomy of good versus evil, growth versus decay. The heart as a suspended mass of molten lava begs the questions, how sustainable is our planet? Will the delicate balance of survival continue to be threatened by man’s greed for materialism or will he wake up to the warnings of over population, climate change and lack of potable water?<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtDFGfKoKqu4wFQ60sxInxW-jG0Qp5ny8PE0sxvurmLLExG2xPb9W-N-JLYdeTq4kQUPqKwOi4v3u97TG95CmVz3VOAWuuD7lbvfmXhLLXcG-CTBQDd4aW8LM3H8GSvGD0IXG7vEpSuS_D/s1600/_Floaters_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1249" data-original-width="500" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtDFGfKoKqu4wFQ60sxInxW-jG0Qp5ny8PE0sxvurmLLExG2xPb9W-N-JLYdeTq4kQUPqKwOi4v3u97TG95CmVz3VOAWuuD7lbvfmXhLLXcG-CTBQDd4aW8LM3H8GSvGD0IXG7vEpSuS_D/s640/_Floaters_.jpg" width="256" /></a></div>
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The suspended lava heart, the fragile doll heads and the recurring theme of fish out water, all echo nature’s vulnerability to the hidden agendas of humanity.<br />
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<b>The show runs through November 17.</b><br />
<b>Artist Talk: Saturday, November 10th, 3 PM</b>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1323796795462602695.post-81526583827440459822018-11-01T11:32:00.000-07:002018-11-01T11:32:02.405-07:00Artist Spotlight: Camey McGilvray - Wire World<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiATnOISsH5rAHfGubpfK9-2W3cMIvioI92zTNWl7mVgMeM0tA-ZbD-c7ON510EvJlPZe9cSB1Gf92Nx1KfvbKjHN360OePteQMDd7Snjtbhai4_GNhI8MjEzB9myBaD0uHgArP0QZCQm8x/s1600/DSC_0018.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1129" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiATnOISsH5rAHfGubpfK9-2W3cMIvioI92zTNWl7mVgMeM0tA-ZbD-c7ON510EvJlPZe9cSB1Gf92Nx1KfvbKjHN360OePteQMDd7Snjtbhai4_GNhI8MjEzB9myBaD0uHgArP0QZCQm8x/s640/DSC_0018.jpg" width="424" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Camey McGilvray, <i>Boogie-Woogie Dancers</i>, Powder-coated rebar, 70 x 24 x 18"</td></tr>
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Artistic concepts are taken down to the wire in artist Camey McGilvray’s latest series, <i>Wire World</i>. In this series of McGilvray’s work, hard-edge rules and line is everything. Starting with the first pen and ink rendering of an idea, McGilvray works and reworks, edits and polishes until the desired effect is achieved. Visual references are simplified and in some cases totally abandoned. Line is then translated into steel wire, welded and powder-coated into a three-dimensional existence.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQF16snhQx-J4SdOesYymepqzicwSLY9_zUO1UjV323SVHoIULk0keD_R84h5JxJausVyPUxzRAyX2lIVpI_fGKklptpc8nkZL-RvEHfy3peIEZ36QZJqmFgzgmyN7eTAbhThISuN1XdGM/s1600/McGilvray_Camey_The%252BLadies%252B%2528Picasso%252BHomage%2529%252C%252BPowder%252BMetal%252C%252B54%25E2%2580%259D%252Bx%252B48%25E2%2580%259D.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1126" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQF16snhQx-J4SdOesYymepqzicwSLY9_zUO1UjV323SVHoIULk0keD_R84h5JxJausVyPUxzRAyX2lIVpI_fGKklptpc8nkZL-RvEHfy3peIEZ36QZJqmFgzgmyN7eTAbhThISuN1XdGM/s640/McGilvray_Camey_The%252BLadies%252B%2528Picasso%252BHomage%2529%252C%252BPowder%252BMetal%252C%252B54%25E2%2580%259D%252Bx%252B48%25E2%2580%259D.jpg" width="568" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td class="tr-caption"><span style="font-size: x-small;">Camey McGilvray, <i>The Ladies (Picasso Homage)</i>, Powder-coated steel, 54 x 48 x 3"</span></td></tr>
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McGilvray’s <i>The Ladies</i>, homage to Pablo Picasso’s <i>Les Demoiselles d’ Avignon</i>, is scaled down to essential lines but succeeds in expressing the integrity and concept of the original piece. <i>Wire World</i> functions and exists in this way, further abstracting the abstracted and offering a stripping down to the bare essentials.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJiIDogAJWzPhs1Rr-9yeRmbJy_LYTmrl8f3rrgAhXEM8mapL2fq8KLrE-SKelqyWSq_ov6H-QhrIBKZNFeEgWDsH-ICxUoQFC9ktiIDIr6wSVmIlnXU40z4O7CjDuxKT4tojZv1R9NsJC/s1600/DSC_0021.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1129" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJiIDogAJWzPhs1Rr-9yeRmbJy_LYTmrl8f3rrgAhXEM8mapL2fq8KLrE-SKelqyWSq_ov6H-QhrIBKZNFeEgWDsH-ICxUoQFC9ktiIDIr6wSVmIlnXU40z4O7CjDuxKT4tojZv1R9NsJC/s640/DSC_0021.jpg" width="424" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Camey McGilvray, <i>Wired IV</i>, Powder-coated steel, 68 x 46 x 3"</span></td></tr>
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McGilvray skillfully uses the visual language of line to give life to what was once only imagined and to indeed create a <i>Wire World</i>.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheJU1V3htYdHWjRFxn4_EXMVDL5OnvpDYCeXEkzZk4Fk7loexngQAfw8yAFb0lM4rto3oly0xlsl9MvpUp27FMn0bfm8o6zj23TAtc2NuQ5CftWv1uL6PCqh338XfI4kTMwu0Oyp1Pucjk/s1600/DSC_0013.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1129" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheJU1V3htYdHWjRFxn4_EXMVDL5OnvpDYCeXEkzZk4Fk7loexngQAfw8yAFb0lM4rto3oly0xlsl9MvpUp27FMn0bfm8o6zj23TAtc2NuQ5CftWv1uL6PCqh338XfI4kTMwu0Oyp1Pucjk/s640/DSC_0013.jpg" width="424" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Camey McGilvray, <i>Rush Hour</i>, Powder-coated rebar, LED, 70 x 38 x 4"</span></td></tr>
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<b>The show runs through November 17.</b><br />
<b>Artist Talk: Saturday, November 10th, 3 PM</b>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1323796795462602695.post-7730695517514686872018-10-30T06:29:00.000-07:002018-10-30T06:29:43.710-07:00Artist Spotlight: Katie Crown - Waterworks<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0T_pa6vGgRPsIgFAHE2mt7H3Lbf5zlPsmBxUXHSezDAH1dbZTAixPDeSXy4GHAagbR-v9tW2tcGWyCUmLvx5YdcHi9pCJuBBficld3hSDn26bGX25xiVu4d_e60UhFnz1TZGAA-OSd4Si/s1600/Crown_Katie_Impending_Zoom_watercolor_32x37.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1106" data-original-width="1500" height="470" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0T_pa6vGgRPsIgFAHE2mt7H3Lbf5zlPsmBxUXHSezDAH1dbZTAixPDeSXy4GHAagbR-v9tW2tcGWyCUmLvx5YdcHi9pCJuBBficld3hSDn26bGX25xiVu4d_e60UhFnz1TZGAA-OSd4Si/s640/Crown_Katie_Impending_Zoom_watercolor_32x37.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Katie Crown, <i>Impending Zoom</i>, Watercolor and gouache, 32 x 37"</td></tr>
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TAG Gallery is proud to present <i>Waterworks</i>, a series of works by Katie Crown. This series stretches what can be achieved with watercolor paint. You will not find traditional watercolors here. Seeing these mainly non-objective paintings provides direct sensory excitement. “I hope viewers feel like they’ve just gotten off a roller coaster. Watercolor works for this. I love the free feeling that watercolor allows, finding its own surprising, unexpected forms as it dries,” Crown says.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk34YeYcJPW0NrmzG5e6a6pAlhgG4bvV69En5i8hZXT-YHyI_Jf1rWx6gJC5IVMtoyK7NldPfYy6DZXpAgth5yt9XIfsMCzreBP6l4QNR5sGsfJD1BciBch2R261a5HHn6CXHL_ZiW12_p/s1600/Crown_Katie_Mountain_Bubblebath_watercolor_48x49.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1266" height="606" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk34YeYcJPW0NrmzG5e6a6pAlhgG4bvV69En5i8hZXT-YHyI_Jf1rWx6gJC5IVMtoyK7NldPfYy6DZXpAgth5yt9XIfsMCzreBP6l4QNR5sGsfJD1BciBch2R261a5HHn6CXHL_ZiW12_p/s640/Crown_Katie_Mountain_Bubblebath_watercolor_48x49.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Katie Crown, <i>Mountain Bubblebath</i>, Watercolor and gouache, 47.5 x 49"</span></td></tr>
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Using water-soluble pigments in non-traditional ways, the colors are intensely saturated and expressive. Crown juxtaposes patterns to build excitement, such as combinations of angular and circular shapes that deliver strong masculine and feminine energies. She sometimes puts her brushes away and sprays the paint to get a wild edge reminiscent of graffiti.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr5mCY-VtMIKKs4Puadb7wF8Pw_fXZfKAYQC3_ggHH3QJ29gq94ZL1punwRUxOBrMSYD2eFb-OrFiEzf30J_PMFA5kmcFzuLeN07AJMA7TG0hJLZaEBeqOwjgDkiwTkMep4o9MPDWxViKE/s1600/Crown_Katie_Sedona_Arizona_watercolor_31x39.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1129" data-original-width="1500" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr5mCY-VtMIKKs4Puadb7wF8Pw_fXZfKAYQC3_ggHH3QJ29gq94ZL1punwRUxOBrMSYD2eFb-OrFiEzf30J_PMFA5kmcFzuLeN07AJMA7TG0hJLZaEBeqOwjgDkiwTkMep4o9MPDWxViKE/s640/Crown_Katie_Sedona_Arizona_watercolor_31x39.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Katie Crown, <i>Sedona Arizona,</i> Watercolor and gouache, 31.5 x 38.75"</span></td></tr>
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Crown is a native of Southern California. Some of her abstract watercolors, such as “Memory of the South Bay,” draw from her experiences growing up in Manhattan Beach in the 1950s and ‘60s. Some paintings in this show started out decades ago as landscapes and have now been reworked and enlarged into non-objective works that celebrate the art of painting. “Sometimes I add paper to expand my statement until the painting cries, ‘Mercy,’ she says. “I want my paintings to be visually exciting in and of themselves.”<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrHzEyondcV90W6bekILnyxv770jmpPUfrYShcqdX84eulzPgJdGCl1Mcl0_9d4WJzEMa2La0Fn2SY7lmZO13QaeCQlqgQR6-Crubspi78aSMVcMZxYSBIE4EooQaff_v1oGBQiDD143Ac/s1600/Crown_Katie_Memory_of_the_South_Bay_watercolor_32x38.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1180" data-original-width="1500" height="502" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrHzEyondcV90W6bekILnyxv770jmpPUfrYShcqdX84eulzPgJdGCl1Mcl0_9d4WJzEMa2La0Fn2SY7lmZO13QaeCQlqgQR6-Crubspi78aSMVcMZxYSBIE4EooQaff_v1oGBQiDD143Ac/s640/Crown_Katie_Memory_of_the_South_Bay_watercolor_32x38.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Katie Crown, <i>Memory of South Bay</i>, Watercolor and gouache, 32.25 x 38.25"</td></tr>
</tbody></table>
<b>The show runs through November 17.</b><br />
<b>Artist Talk: Saturday, November 10th, 3 PM</b>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1323796795462602695.post-24306169851305777882018-10-25T06:00:00.000-07:002018-10-25T06:00:05.313-07:00Artist Spotlight: Go Woon Choi -- Metaphor<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi57cBWj9U-pwhedempuxpnNvRuLHKkU_Il4EtsJS2gXnBBkP6tMm2qYPF2ILyomTuOo693Xb1YL3Nks7BhfX7NMFVEGjy5T0D95ekrom_EPux5vkEjvhOTj9YXCmcqAM1TbdlwTxKUOsVf/s1600/Choi_GoWoon_Untitled02_oilpaint_3040.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1010" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi57cBWj9U-pwhedempuxpnNvRuLHKkU_Il4EtsJS2gXnBBkP6tMm2qYPF2ILyomTuOo693Xb1YL3Nks7BhfX7NMFVEGjy5T0D95ekrom_EPux5vkEjvhOTj9YXCmcqAM1TbdlwTxKUOsVf/s640/Choi_GoWoon_Untitled02_oilpaint_3040.jpg" width="470" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Go Woon Choi, <i>Untitled 02</i>, Oil, 40 x 30"</td></tr>
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<i>Metaphor</i> is a collection of new paintings by Korean-born artist Go Woon Choi investigating the beauty and possibilities of everyday objects. The idea came from interpreting interesting forms comprised of light and shadows of common objects around her. This exploration led Choi to crumpled foils and eventually to make compositions with what she calls abstract metals.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhfs3hU-p8YRTTL2BIz-8gZsFXxhpUaSq9VddqAmMMWrrdVwooDUX70cIq6yTUbKhnEDQuUTwqjjm81Cn7IUFe1NWDwdV0Qhkg8dufzMBULSfbW0HYhOPLgamWRyqODS-fBspgDfdwkbBw/s1600/Choi_GoWoon_Untitled04_oilpaint_3040.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="999" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhfs3hU-p8YRTTL2BIz-8gZsFXxhpUaSq9VddqAmMMWrrdVwooDUX70cIq6yTUbKhnEDQuUTwqjjm81Cn7IUFe1NWDwdV0Qhkg8dufzMBULSfbW0HYhOPLgamWRyqODS-fBspgDfdwkbBw/s640/Choi_GoWoon_Untitled04_oilpaint_3040.jpg" width="480" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Go Woon Choi, <i>Untitled 04</i>, Oil, 40 x 30"</span></td></tr>
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“If someone were to ask me why I paint metal, I would say I love the strong feeling and my one of my old past times was welding sculpture. I will continue to work on these series to make more layers or more variety shapes or colors.”<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGcibp8yr0A7LANqaLkvujxBuRqm0lZT9MBoX2WgNyl0hzx1TSEZ2qVy8r-WhggV5bRl6LLbzUWWtySXRbxjuw6Ylin6yVRY8eRtlJt0MPO1FjAR4Jmpz-vtRQczDQ_FxlGKUxL8y_zNW8/s1600/Choi_GoWoon_Untitled09_oilpaint_2430.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="956" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGcibp8yr0A7LANqaLkvujxBuRqm0lZT9MBoX2WgNyl0hzx1TSEZ2qVy8r-WhggV5bRl6LLbzUWWtySXRbxjuw6Ylin6yVRY8eRtlJt0MPO1FjAR4Jmpz-vtRQczDQ_FxlGKUxL8y_zNW8/s640/Choi_GoWoon_Untitled09_oilpaint_2430.jpg" width="508" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Go Woon Choi, <i>Untitled 09</i>, Oil, 40 x 30"</span></td></tr>
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Choi’s interest in common objects is rooted in her idea that “even common objects can appear strong and fantastic under different light conditions and environments”. She transforms ordinary objects into extraordinary visual experiences, with repetition and variation. The light changes on the surfaces to give an impression of constant motion. Sharing the process of their becoming, ordinary objects can provoke intense emotions of strength and energy.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-ZUulLLI1TghsbYCnwfE32olNRi_2Ip_yFx1fvwjrN-CVI3cSicPrQHTTrOwRQgYgS8JjHF2HcwvPAQFIrZ3ah2_Gh-y2CU_UIGY8Rx7337eQiTGoS9FkHHcSIA8Xc9k-oQNzXkw_QA_B/s1600/Choi_GoWoon_Untitled06_oilpaint_4030.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1124" data-original-width="1500" height="474" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-ZUulLLI1TghsbYCnwfE32olNRi_2Ip_yFx1fvwjrN-CVI3cSicPrQHTTrOwRQgYgS8JjHF2HcwvPAQFIrZ3ah2_Gh-y2CU_UIGY8Rx7337eQiTGoS9FkHHcSIA8Xc9k-oQNzXkw_QA_B/s640/Choi_GoWoon_Untitled06_oilpaint_4030.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Go Woon Choi, <i>Untitled 06</i>, Oil, 30 x 40"</span></td></tr>
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<br />
<b>The show runs through</b><b> November 17.</b><br />
<b>Reception: Saturday, October 27, 5-8 pm</b><br />
<b>Artist Talk: Saturday, November 10th, 3 PM</b>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1323796795462602695.post-27202387938316997032018-10-23T06:00:00.000-07:002018-10-23T06:00:07.032-07:00Current Exhibition: Go Woon Choi, Katie Crown, Camey McGilvray, Damon Reinagle<b>October 23 – November 17, 2018 </b><br />
<b>Reception: Saturday, October 27, 5-8 pm </b><br />
<b>Artist Talk: Saturday, November 10th, 3pm</b><br />
<b><br /></b>
<b>Go Woon Choi - <i>Metaphor</i></b><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEcBc8u1gCEzZYP44dsB983tj4BtW2PgEEtz9gb3NkxA3_9OxtC-ZYa9sdCWSIN8XTnkJavHT_t6_yQM7jKc7cf-eGWcNNNOor8gT6XDtx38T8GX-xLulYLXnQebQzxAGQJyTAp20MK5GV/s1600/Choi_GoWoon_Untitled01_oilpaint_4830.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="936" data-original-width="1500" height="394" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEcBc8u1gCEzZYP44dsB983tj4BtW2PgEEtz9gb3NkxA3_9OxtC-ZYa9sdCWSIN8XTnkJavHT_t6_yQM7jKc7cf-eGWcNNNOor8gT6XDtx38T8GX-xLulYLXnQebQzxAGQJyTAp20MK5GV/s640/Choi_GoWoon_Untitled01_oilpaint_4830.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Go Woon Choi, <i>Untitled 01</i>, Oil, 30 x 48</td></tr>
</tbody></table>
<b>Katie Crown - <i>Waterworks</i></b><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH1GHGv5KqNWwRs5YaZQG07U8d_haQBHqRjV0fp9iLXh8SaN9Jazfo0H9YHIUITLEj02c-lPnxncQLcOKKMpES03hQnohhzoxpbFYJu0N_FbbYLiDYZPD4tX2V1UPgUjGgRBE1sscGG1yj/s1600/Crown_Katie_Fly_Away_watercolor_47x41.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1187" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH1GHGv5KqNWwRs5YaZQG07U8d_haQBHqRjV0fp9iLXh8SaN9Jazfo0H9YHIUITLEj02c-lPnxncQLcOKKMpES03hQnohhzoxpbFYJu0N_FbbYLiDYZPD4tX2V1UPgUjGgRBE1sscGG1yj/s640/Crown_Katie_Fly_Away_watercolor_47x41.jpg" width="534" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Katie Crown, <i>Fly Away</i>, Watercolor and gouache on paper, 47 x 41"</td></tr>
</tbody></table>
<b>Camey McGilvray - <i>Wire World</i></b><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaEdTEZ7VT9f56Cb179oirhHng308x2_e7lldgAQKaeVVD_ijvVHZpZ_M_X3d4w3PuvVv4A0wIdD1q4M4-FPHzCoDTwf8glyE62rs5v8jz5nzRULCy1UolpofV0LN-yqmzJzBLKiyIQWon/s1600/McGilvray_Camey_Rapunzel%252B_75x30x3_2013.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1034" data-original-width="500" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaEdTEZ7VT9f56Cb179oirhHng308x2_e7lldgAQKaeVVD_ijvVHZpZ_M_X3d4w3PuvVv4A0wIdD1q4M4-FPHzCoDTwf8glyE62rs5v8jz5nzRULCy1UolpofV0LN-yqmzJzBLKiyIQWon/s640/McGilvray_Camey_Rapunzel%252B_75x30x3_2013.jpg" width="308" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Camey McGilvray, <i>Rapunzel</i>, Powder coated steel, 75 x 30 x 3"</td></tr>
</tbody></table>
<b>Damon Reinagle - <i>Hidden Agendas</i></b><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqrGSBpfEKsmi8pKBuA44H0-y3HSigJ6yErPaLVF_6Um8S59r2Ks9vZStnL-qD6ov_J663e_vno4NL2vHpvzBYPrOrE4pPI91LzInxNntaacCE0r8z0hzsXpsrVYLti3KAn3iZ2VffVZrk/s1600/Reinagle%252C-damon%252C_Her-royal-magesty_18_-x-32sm_.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1000" data-original-width="559" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqrGSBpfEKsmi8pKBuA44H0-y3HSigJ6yErPaLVF_6Um8S59r2Ks9vZStnL-qD6ov_J663e_vno4NL2vHpvzBYPrOrE4pPI91LzInxNntaacCE0r8z0hzsXpsrVYLti3KAn3iZ2VffVZrk/s640/Reinagle%252C-damon%252C_Her-royal-magesty_18_-x-32sm_.jpg" width="352" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Damon Reinagle, <i>Her Royal Magesty</i>, 32 x 18</td></tr>
</tbody></table>
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1323796795462602695.post-49092164217394889242018-10-09T06:00:00.000-07:002018-10-09T06:00:03.855-07:00Artist Spotlight: Marion Wood - Field Notes<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6RE41_Buf9C_ChxmuXDRwFn_ZarLD16WGYYgAV43-TTiJcIKi9NiqsEFRiQVQgsqLkvbkOaCtWgjNzGbOO9gnwX8grp92XqmmCB5NDSJQnDlZW5ys6Gt8T_MJWELV9Cckux8vpB3cky8w/s1600/Wood.Marion.Trypt..jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1096" data-original-width="960" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6RE41_Buf9C_ChxmuXDRwFn_ZarLD16WGYYgAV43-TTiJcIKi9NiqsEFRiQVQgsqLkvbkOaCtWgjNzGbOO9gnwX8grp92XqmmCB5NDSJQnDlZW5ys6Gt8T_MJWELV9Cckux8vpB3cky8w/s640/Wood.Marion.Trypt..jpeg" width="560" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Marion Wood, Tryptic, Acrylic, 60 x 60"</td></tr>
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TAG Gallery is proud to present <i>Field Notes</i>, a series of paintings from Marion Wood focusing on the simplest elements of artistic expression. In order to capture and depict delicate terrains, Wood experiments with color fields and the use of gravity as a catalyst to portray the force of nature that pulls the rain to the roots within the earth.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihld4KORF0xWbfi3NLHjEe2EqcHeRUmIB28DP-4Oxr-NVDgzNS_Z5fa4KWgofFdz8maeH8gtj1YbDL24jPBccwfmuTXJ29Tbb_fvsF2VVTk6Iors6whzG4iSudPsDR9T7Vsxc76TA3j1WK/s1600/Screen+Shot+2018-09-29+at+4.12.33+PM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="797" data-original-width="860" height="590" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihld4KORF0xWbfi3NLHjEe2EqcHeRUmIB28DP-4Oxr-NVDgzNS_Z5fa4KWgofFdz8maeH8gtj1YbDL24jPBccwfmuTXJ29Tbb_fvsF2VVTk6Iors6whzG4iSudPsDR9T7Vsxc76TA3j1WK/s640/Screen+Shot+2018-09-29+at+4.12.33+PM.png" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Marion Wood, <i>The Three,</i> Acrylic</td></tr>
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“I often find myself bombarded with technology. Cellphones, internet, social media, news media, and a president who tweets his every whim; It causes me to seek introspection, solitude and solace in nature, or a quiet space to ruminate. Personal reflection and self-assessment are the tools I use to keep my head amidst the constant bombardment. By looking within ourselves we intuitively know how to treat out fellow humans of any race, gender, or economic stature, and how to protect our environment.”<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFBIEUMJ8WNBOzgFfkPgLllpGWVAZrVQibbG1-p2hGJGG1m3P6m5hTATDTq5sUuelBZHvgsPeWiEZ7q9pb44spphnlYBiuM3SR_WhQ6XyNmfPVrZ4SGaZDxEP-tKWGtKeAPdDzekc5yspt/s1600/Wood.Maion.ANewDay.Acrylic.48x60.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="961" data-original-width="1209" height="508" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFBIEUMJ8WNBOzgFfkPgLllpGWVAZrVQibbG1-p2hGJGG1m3P6m5hTATDTq5sUuelBZHvgsPeWiEZ7q9pb44spphnlYBiuM3SR_WhQ6XyNmfPVrZ4SGaZDxEP-tKWGtKeAPdDzekc5yspt/s640/Wood.Maion.ANewDay.Acrylic.48x60.jpeg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Marion Wood, <i>A New Day</i>, Acrylic, 48 x 60"</td></tr>
</tbody></table>
"There is an overwhelming sense of peace when I see and experience something raw and beautiful in the wilderness and I strive to wander through these canvases with that same connection, an excitement toward life and hope for the future."<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqsHJRf90bqwvU5QyLkmW-O6FvlbgWeUwxLzd_j4ThXbQiBqpUuSIIHtnUj-qcLpFICiq7ocA_fMoRe80FxIPpgZkHRcPOSfO4U5czbLQtOYYfm54phzIinfyEuo9ZQZMdKLuaD70PgtM0/s1600/Wood.Marion.WinterForrest.Acrylic.72x48.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1223" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqsHJRf90bqwvU5QyLkmW-O6FvlbgWeUwxLzd_j4ThXbQiBqpUuSIIHtnUj-qcLpFICiq7ocA_fMoRe80FxIPpgZkHRcPOSfO4U5czbLQtOYYfm54phzIinfyEuo9ZQZMdKLuaD70PgtM0/s640/Wood.Marion.WinterForrest.Acrylic.72x48.jpeg" width="390" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Marion Wood, <i>Winter Forest</i>, Acrylic, 72 x 48"</td></tr>
</tbody></table>
<b>The exhibition runs through October 20.</b><br />
<b>Artist Talk: Saturday, October 13, 3pm</b>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1323796795462602695.post-9590432078160405162018-10-04T06:00:00.000-07:002018-10-04T06:00:01.270-07:00Artist Spotlight: Sunhee Joo - Message of Love<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKKoGmy4ywJBDpI2JIoBR4dh7yGI0NA7mzQOD_SA9TPvyIPx4vBvQzdaYJZG-ooQtrvQjp7YT1r0XeP4mzNYn7WmX1AzO0dWwAKyX87cMf6BIhCbawiyZKVFp-KKU1ZrmzPOKowiPBuYHr/s1600/Joo_Sunhee_Return_of_the_Prodigal_Son_Digital_9.5x7.5.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="639" data-original-width="488" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKKoGmy4ywJBDpI2JIoBR4dh7yGI0NA7mzQOD_SA9TPvyIPx4vBvQzdaYJZG-ooQtrvQjp7YT1r0XeP4mzNYn7WmX1AzO0dWwAKyX87cMf6BIhCbawiyZKVFp-KKU1ZrmzPOKowiPBuYHr/s640/Joo_Sunhee_Return_of_the_Prodigal_Son_Digital_9.5x7.5.jpg" width="488" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sunhee Joo, <i>Return of the Prodigal Son</i>, Digital painting on paper, 9.5 x 7.5"</td></tr>
</tbody></table>
Sunhee Joo’s first solo exhibition at TAG Gallery features poetic digital works on paper, featuring her favorite subjects: God, humanity, and nature. This exhibition is a compilation of her digital work since 2011.<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcoJJEcP_jEbx7RwYDIvfRXl48uHb54yrknn8C0OU_NV2p85CsA_OS4hy9K1Ns8uPIHAegFqcZmFNhQpElVhCqtwVokShxwMd7GK9gt_8y506xjJASoHORWRKaiG9uy4WJ8D1ffeqlfgNw/s1600/Joo_Sunhee_Gethsemane_Digital_9.5x9.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="575" data-original-width="563" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcoJJEcP_jEbx7RwYDIvfRXl48uHb54yrknn8C0OU_NV2p85CsA_OS4hy9K1Ns8uPIHAegFqcZmFNhQpElVhCqtwVokShxwMd7GK9gt_8y506xjJASoHORWRKaiG9uy4WJ8D1ffeqlfgNw/s640/Joo_Sunhee_Gethsemane_Digital_9.5x9.jpg" width="626" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Sunhee Joo, <i>Gethsemane</i>, Digital painting on paper, 5 x 9"</span></td></tr>
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Sunhee Joo’s works have evolved since her MFA in Abstract Painting at UCLA in 1987. Her work is a mixture of abstract and representational forms, marrying her unique expression of Bible stories and people with nature. Joo aims to convey her soul searching spiritual journey in America after her immigration in 1970, showcasing her bicultural heritage, the East and the West.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRw6PvgmYSqFSNIBmeJ-FOSlauXt7-vekntQ5qrVvKLF6ZVbruM35N7ypMXaIGGuosd9dY5PK6g0vWx87PaC6H14DJOajjKk3gGx0WhnudvWuXTu0HppgFaVgkTpCcktArSp1Z7iCGC_Ve/s1600/Joo_Sunhee_Mother_and_Children_Digital_12x10.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="631" data-original-width="525" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRw6PvgmYSqFSNIBmeJ-FOSlauXt7-vekntQ5qrVvKLF6ZVbruM35N7ypMXaIGGuosd9dY5PK6g0vWx87PaC6H14DJOajjKk3gGx0WhnudvWuXTu0HppgFaVgkTpCcktArSp1Z7iCGC_Ve/s640/Joo_Sunhee_Mother_and_Children_Digital_12x10.jpg" width="530" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Sunhee Joo, <i>Mother and Children</i>, Digital painting on paper, 12 x 10"</span></td></tr>
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The exhibition, <i>Message of Love,</i> evokes layers of memories, emotions, and feelings. Joo conveys these many facets of love through depiction of different people in real life, characters in the Bible, or imagined people with simplified lines, shapes and colors.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOo3fsttxXIa_Ztfji0MQf8Ce6OioLoQwD7OxxmdPt0EL2BrMl1Tx_wuMgVUHP6j597SMJ2BDNjElNEVK-Jzj-nLOE1NmGM-JmfeLkDKX02rVCBOaC3D_2dWugUZHb09fVdbZerZUigdGb/s1600/Joo_Sunhee_Mother_Washing_Digital_6x6.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="584" data-original-width="560" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOo3fsttxXIa_Ztfji0MQf8Ce6OioLoQwD7OxxmdPt0EL2BrMl1Tx_wuMgVUHP6j597SMJ2BDNjElNEVK-Jzj-nLOE1NmGM-JmfeLkDKX02rVCBOaC3D_2dWugUZHb09fVdbZerZUigdGb/s640/Joo_Sunhee_Mother_Washing_Digital_6x6.jpg" width="610" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Sunhee Joo, <i>Mother Washing</i>, Digital painting on paper, 6 x 6"</span></td></tr>
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<b>The exhibition runs through October 20.</b><br />
<b>Opening Reception: Saturday, October 6, 5-8pm</b><br />
<b>Artist Talk: Saturday, October 13, 3pm</b><br />
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1323796795462602695.post-85568538326363099072018-10-02T06:00:00.000-07:002018-10-02T06:00:13.548-07:00Artist Spotlight: Cheryl Dimant - Looking Closer<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiusJifbjOK6Ot0zksGKFfAPCb59A5YHWjcCuL6h7T-uypNa66anZ4DS0_V2a3GNkcPMz6xjm1ijX7jGLG4juL1G8m2zmhXwxSGjkuJot5P1AeOen_w_-z1qfUHuEg6-RzIOt94IhztP3IP/s1600/Clear%252BBlue%252BDay.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="830" data-original-width="1600" height="330" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiusJifbjOK6Ot0zksGKFfAPCb59A5YHWjcCuL6h7T-uypNa66anZ4DS0_V2a3GNkcPMz6xjm1ijX7jGLG4juL1G8m2zmhXwxSGjkuJot5P1AeOen_w_-z1qfUHuEg6-RzIOt94IhztP3IP/s640/Clear%252BBlue%252BDay.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cheryl Dimant, <i>Clear Blue Day</i>, Archival print on paper</td></tr>
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TAG Gallery is proud to present <i>Looking Closer</i> a body of work by photographer Cheryl Dimont. The exhibition uses photography as a catalyst to investigate the various nuances and complex structures of the natural and man-made worlds.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMffzwtfKPcg9X29zBVIPHNCgFHC-vsAt0P0KiakSkfFwvj8E8QCYek9Faik7y39NgAhF2N34JlHJhG2TcxSv8TFxxDch7_9kB64JAHYBzOHyvNEuCBU6l9PM4CwWmXdv0eAXeWzdPc8iQ/s1600/Sky%252BScraper%252BSky.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1212" height="630" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMffzwtfKPcg9X29zBVIPHNCgFHC-vsAt0P0KiakSkfFwvj8E8QCYek9Faik7y39NgAhF2N34JlHJhG2TcxSv8TFxxDch7_9kB64JAHYBzOHyvNEuCBU6l9PM4CwWmXdv0eAXeWzdPc8iQ/s640/Sky%252BScraper%252BSky.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Cheryl Dimant, <i>Sky Scraper Sky</i>, Archival print on paper</span></td></tr>
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Dimont has always subscribed to the belief that beauty can be found everywhere in life. As such, she atttempts to cut through the periphery and concentrate on what really matters.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-NJd6McAB1WyXOD-FcSGquje7dFyf3FyJOHwUi1s32gtCcgzBBd74xPpEr_ufwAuyokBUisGFlaBmTHFAESugd56NXWvKa3yBYdesu2neJt7uBdEB4SVnpsxl8yKt0-C3XMA-bWrS8Tub/s1600/See%252BMe_.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1040" data-original-width="1600" height="410" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-NJd6McAB1WyXOD-FcSGquje7dFyf3FyJOHwUi1s32gtCcgzBBd74xPpEr_ufwAuyokBUisGFlaBmTHFAESugd56NXWvKa3yBYdesu2neJt7uBdEB4SVnpsxl8yKt0-C3XMA-bWrS8Tub/s640/See%252BMe_.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Cheryl Dimant, <i>See Me</i>, Archival print on paper</span></td></tr>
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“I see pockets of design and pattern everywhere. They add a spark to my day. They give me little moments of quiet and help me find some order within the chaos.”<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8Yj3L_tcBz2R1I3lRtyt5qx9fmyrvVsD2w9glP2L3xTx1Zfsb1j22jpdMD0NKWF-kTHEFul5YXAdzlyjN8TxTGIdAX_G4eU68iLwgNUwzGFJpVCeZqHYIgcADzqWzpCyGuR_TbF9mR4Y2/s1600/Salmon%252BRun.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1067" data-original-width="1600" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8Yj3L_tcBz2R1I3lRtyt5qx9fmyrvVsD2w9glP2L3xTx1Zfsb1j22jpdMD0NKWF-kTHEFul5YXAdzlyjN8TxTGIdAX_G4eU68iLwgNUwzGFJpVCeZqHYIgcADzqWzpCyGuR_TbF9mR4Y2/s640/Salmon%252BRun.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cheryl Dimant, <i>Salmon Run</i>, Archival print on paper</td></tr>
</tbody></table>
<b>The exhibition runs through October 20.</b><br />
<b>Opening Reception: Saturday, October 6, 5-8pm</b><br />
<b>Artist Talk: Saturday, October 13, 3pm</b>Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-1323796795462602695.post-51742917520353309672018-09-28T06:58:00.000-07:002018-09-28T06:58:05.827-07:00Artist Spotlight: Elyse Wyman - Signs of the Times<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYGBEBiojTRXrlwEEnJIK3fpiLIIv3qQ7OWfkMuJDWfizdpN5Sx7TerpNDm3lDLvci32KMd0bMLwHLVl5WJ_iBc6Kpf_0PooBcZtQ3ct5ec-3CLi10r3z-E6p1NHAicVmgNHBS_dIri-69/s1600/___FIRE%252BIN%252BTHE%252BBELLY%252B25%252522x15%252522x5%252522.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1422" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYGBEBiojTRXrlwEEnJIK3fpiLIIv3qQ7OWfkMuJDWfizdpN5Sx7TerpNDm3lDLvci32KMd0bMLwHLVl5WJ_iBc6Kpf_0PooBcZtQ3ct5ec-3CLi10r3z-E6p1NHAicVmgNHBS_dIri-69/s640/___FIRE%252BIN%252BTHE%252BBELLY%252B25%252522x15%252522x5%252522.jpg" width="332" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Elyse Wyman, <i>Fire In the Belly</i>, Mixed media bas-relief, 32 x 15 x 4"</td></tr>
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Elyse Wyman’s new body of work continues her exploration of the interrelationships and dynamics of female identity, self-perception, personal worth, sexuality and power. Through the medium of transparent bas-relief sculpture, she presents the female torso as both physical and psychological container, fusing separate entities to reveal things we often take for granted. Her ongoing scrutiny of the female figure intersects squarely with the #MeToo and Time’s Up movements.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHtSVNLnWHbAfJoc64bveNU2cpk8sx6cL1jHqzGWTcGI8RbmHcUzGAm0xhfHC-HnzXZSaMRjvK88i8mK5TmzK3HML1uay-3ZzMP77znP05An5cMRqQGzLL6lmfbhgYnx0laH3twzI0zrvs/s1600/___STOP%252BABUSE%252Bcopy.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1452" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHtSVNLnWHbAfJoc64bveNU2cpk8sx6cL1jHqzGWTcGI8RbmHcUzGAm0xhfHC-HnzXZSaMRjvK88i8mK5TmzK3HML1uay-3ZzMP77znP05An5cMRqQGzLL6lmfbhgYnx0laH3twzI0zrvs/s640/___STOP%252BABUSE%252Bcopy.jpg" width="330" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td class="tr-caption" style="font-size: 12.8px;"><span style="font-size: x-small;">Elyse Wyman, <i>Stop Abuse</i>, Mixed media bas-relief, 32 x 15 x 4"</span></td></tr>
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</td></tr>
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Seemingly ordinary road and warning signs such as “Stop” or “Rough Road” take on new meaning when placed inside the female form. This juncture of disparate elements leads to new interpretations. Wyman’s mixed-media sculptures illuminate a deeper, generally hidden emotional intensity often alluding to harassment both visible and unseen.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEholuYOKpTcY9cOgjsZkFRBRVTBnQM0SYj7Gs1nKCKZy9uijcXUCx4CyBLBh_rzqv-q-IIjnjj9i2Bm3KloBpIboem5xhDnPJIjKhRcJzQNrJGVDI7fgvnXmf5g1Xn5EOz15IN2UsipvA8K/s1600/___ROUGH%252BROAD.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1305" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEholuYOKpTcY9cOgjsZkFRBRVTBnQM0SYj7Gs1nKCKZy9uijcXUCx4CyBLBh_rzqv-q-IIjnjj9i2Bm3KloBpIboem5xhDnPJIjKhRcJzQNrJGVDI7fgvnXmf5g1Xn5EOz15IN2UsipvA8K/s640/___ROUGH%252BROAD.jpg" width="366" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td class="tr-caption"><span style="font-size: x-small;">Elyse Wyman, <i>Rough Road</i>, Mixed media bas-relief, 32 x 15 x 4"</span></td></tr>
</tbody></table>
</td></tr>
</tbody></table>
Elyse Wyman was born in Los Angeles and received her BA in Fine Arts (Cum Laude) from UCLA. She furthered her art education in Paris, France at the Academie de La Grande Chaumiere. Ms. Wyman has pursued parallel careers in both fine arts and graphic design. As a graphic artist for A&M records she designed albums, posters, music books, advertising and billboards. Currently, as art director and owner of DesignWorks, Unlimited Graphic Design Studio, her clients have included A&M Records, American Ballet Theatre, American Film Institute, ASCAP, Chevron, Disc Marketing, General Mills, UCLA, United Airlines, Toyota, Victoria’s Secret, Warner Brothers, Women in Film, and many others.<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7bFShChTriuzsQw11MezmTn2me1GMzzvYS7rhzgAL-7Kb91U3Jst03rQ3d6JYKvZw8JGtxk0FR57MaXRUNNVWCZ1UGIn6bdwb5ET84G9vM1d-GCgRl2J5Eo6ZBfJNjyCUO9npkaMreXbM/s1600/___RESTRICTED%252BAREA.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1432" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7bFShChTriuzsQw11MezmTn2me1GMzzvYS7rhzgAL-7Kb91U3Jst03rQ3d6JYKvZw8JGtxk0FR57MaXRUNNVWCZ1UGIn6bdwb5ET84G9vM1d-GCgRl2J5Eo6ZBfJNjyCUO9npkaMreXbM/s640/___RESTRICTED%252BAREA.jpeg" width="330" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td class="tr-caption"><span style="font-size: x-small;">Elyse Wyman, <i>Stop Abuse</i>, Mixed media bas-relief, 32 x 15 x 4"</span></td></tr>
</tbody></table>
</td></tr>
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<br />
<b>The exhibition runs through October 20.</b><br />
<b>Opening Reception: Saturday, October 6, 5-8pm</b><br />
<b>Artist Talk: Saturday, October 13, 3pm</b>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1323796795462602695.post-91716897089528551932018-09-25T06:00:00.000-07:002018-09-25T06:00:03.394-07:00Current Exhibition: Cheryl Dimont, Sunhee Joo, Marion Wood, Elyse Wyman<b>September 25 - October 20, 2018</b><br />
<b>Opening Reception: Saturday, October 6, 5-8pm</b><br />
<b>Artist Talk: Saturday, October 13, 3pm</b><br />
<br />
<b>Cheryl Dimont -- <i>Looking Closer</i></b><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjalZBwIXPOgHFvn26lcKkeYFkuKENAjL44LM5VBazhJqiJNaVDSum-4gbuVJ_OrtZXWhRqow3wgqs54lu50jlO7zEKH4DyVQbcRz-v6nmRgKY8_uCLFkKNaXs-zvakTbUygNbM5mswKFMR/s1600/Screen+Shot+2018-09-24+at+4.29.14+PM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="383" data-original-width="557" height="440" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjalZBwIXPOgHFvn26lcKkeYFkuKENAjL44LM5VBazhJqiJNaVDSum-4gbuVJ_OrtZXWhRqow3wgqs54lu50jlO7zEKH4DyVQbcRz-v6nmRgKY8_uCLFkKNaXs-zvakTbUygNbM5mswKFMR/s640/Screen+Shot+2018-09-24+at+4.29.14+PM.png" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cheryl Dimont, <i>The Quilt</i>, Archieval pigment print</td></tr>
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<b>Sunhee Joo -- <i>Message of Love</i></b><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjozfgIsJJ0VQDIVFhzVxLVnvhEM_emeJk5HG8xgiqmAQ7Pz4aTvbhs09oJckkjWoX_cP7IyZB0C0WGKZ8QfDd7FWBoZK9Hw9OnddOh7Dq_MrfKm3hUvKWSwhX59O95lpN3NmQvn4aD4ULM/s1600/joo_kite.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="460" data-original-width="463" height="630" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjozfgIsJJ0VQDIVFhzVxLVnvhEM_emeJk5HG8xgiqmAQ7Pz4aTvbhs09oJckkjWoX_cP7IyZB0C0WGKZ8QfDd7FWBoZK9Hw9OnddOh7Dq_MrfKm3hUvKWSwhX59O95lpN3NmQvn4aD4ULM/s640/joo_kite.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sunhee Joo, <i>The Kite Flyer</i>, Digital painting, 9 x 9"</td></tr>
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<b>Marion Wood -- <i>Field Notes</i></b><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIegHRdu_vMXAc04b2dNCtosx5Cu-pf-_PPq05ZYdjAc4LYVs8rZRFpBie-4jgc3fwy8VmsSuSxl0Fno68_oewP6UqweCu-QeeN8XykEn6FtGXw55olx_MgKVuMqCcdpQYLY5aHMqbuUAN/s1600/Screen+Shot+2018-09-24+at+4.29.51+PM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="610" data-original-width="552" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIegHRdu_vMXAc04b2dNCtosx5Cu-pf-_PPq05ZYdjAc4LYVs8rZRFpBie-4jgc3fwy8VmsSuSxl0Fno68_oewP6UqweCu-QeeN8XykEn6FtGXw55olx_MgKVuMqCcdpQYLY5aHMqbuUAN/s640/Screen+Shot+2018-09-24+at+4.29.51+PM.png" width="574" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Marion Wood, <i>Grounded</i>, Acrylic, 48 x 30"</td></tr>
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<b>Elyse Wyman -- <i>Signs of the Times</i></b><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjU_unULMpHmEZJ-T-A1Lbv4t7DVvWXj6m7TfaIw-w11J98gfiKVDQj5cQPH65cSbVUBnMsWUH3i9tFxYqUbKz1AD-QNHtdQsa7Qq0pYDgoVcoGahaxYVTvVYIsxk0zSkl0ZXLd5VL1qzth/s1600/___CHOICE.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1069" data-original-width="500" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjU_unULMpHmEZJ-T-A1Lbv4t7DVvWXj6m7TfaIw-w11J98gfiKVDQj5cQPH65cSbVUBnMsWUH3i9tFxYqUbKz1AD-QNHtdQsa7Qq0pYDgoVcoGahaxYVTvVYIsxk0zSkl0ZXLd5VL1qzth/s640/___CHOICE.jpg" width="294" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Elyse Wyman, <i>Choice</i>, Mixed media bas-relief, 32 x 15 x 4"</td></tr>
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1323796795462602695.post-52876088178271329762018-09-11T06:00:00.000-07:002018-09-11T06:00:05.517-07:00Artist Spotlight: Karen Sarrow -- FEM<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqDXkyvEc9COj-wS0X7jhJHsnG2MZBLEtCDbPjtQf9hYUcBGeQLzTveUWuJBDLfuc29bFFv7wnm0ptOIAU9cA2ynueIZcmjIJnKr-9ADSeas7at4LoANQav0AafHoY79zeHQZ2Qe-vULiH/s1600/Karen_Sarrow-Protectors%252BVets%252Barrive%252Bat%252BDAPL%252Bwith%252BWater%252BProtectors-24x30-acrylic_oil_line-IMG_9334.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1262" data-original-width="1600" height="504" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqDXkyvEc9COj-wS0X7jhJHsnG2MZBLEtCDbPjtQf9hYUcBGeQLzTveUWuJBDLfuc29bFFv7wnm0ptOIAU9cA2ynueIZcmjIJnKr-9ADSeas7at4LoANQav0AafHoY79zeHQZ2Qe-vULiH/s640/Karen_Sarrow-Protectors%252BVets%252Barrive%252Bat%252BDAPL%252Bwith%252BWater%252BProtectors-24x30-acrylic_oil_line-IMG_9334.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Karen Sarrow, <i>Protectors, Vets Arrive at DAPL</i>, Acrylic and oil on linen, 25 x 31"</td></tr>
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Karen Sarrow’s new exhibition, <b><i>FEM</i></b>, is comprised of a series of political paintings depicting struggles and environmental activism.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCOiZWrR5I0qHMVO1TRbNyo70ND2uMe-bmAqsUWgUvrg_Ikv9azFSovXpKTvhDea-3_t5y_FIDPKstdcKRAZtZ1XM1JAmI5kqOtil0gXj3ocaNGrJ_dxzzpD82ZMfTH89yN89diZNPfgz1/s1600/KWSarrow_After%252B9-11_Acrylic%252Band%252BMixed%252BMedia%252Bon%252BLinen_15in%252Bx%252B15in_FEM.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1594" data-original-width="1600" height="632" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCOiZWrR5I0qHMVO1TRbNyo70ND2uMe-bmAqsUWgUvrg_Ikv9azFSovXpKTvhDea-3_t5y_FIDPKstdcKRAZtZ1XM1JAmI5kqOtil0gXj3ocaNGrJ_dxzzpD82ZMfTH89yN89diZNPfgz1/s640/KWSarrow_After%252B9-11_Acrylic%252Band%252BMixed%252BMedia%252Bon%252BLinen_15in%252Bx%252B15in_FEM.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Karen Sarrow, <i>After 9-11</i>, Acrylic and mixed media on linen, 17 x 17"</td></tr>
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The piece <i>After 9-11</i> was painted during the Obama Administration, partly celebrating how the country had come together to elect a new President, reflected by the purple morning glories, and mourning the recent history of the Iraq War and violence in the Middle East. The future is obscured by the present immediacy of a chain link fence, with the fog of war and the tragedy of 9-11 in a faded vision inside the fence.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwNcMP0lLyhR6B08i9VD7UZ5H7piZ7b-1El4DFT0J-ZX362xQIWxQFIHQRndtcRz2mbGXA_D1KalKCZFaiyW-z1jbz2hyivcvT3SvghYUTbujRV7NJm8uk0vjAK_pZAyt-7CShhaWIq0p0/s1600/KWSarrow_Chain_Acrylic+and+Mixed+Media+on+Linen_15in+x+15in_FEM_IMG_9014.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1600" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwNcMP0lLyhR6B08i9VD7UZ5H7piZ7b-1El4DFT0J-ZX362xQIWxQFIHQRndtcRz2mbGXA_D1KalKCZFaiyW-z1jbz2hyivcvT3SvghYUTbujRV7NJm8uk0vjAK_pZAyt-7CShhaWIq0p0/s640/KWSarrow_Chain_Acrylic+and+Mixed+Media+on+Linen_15in+x+15in_FEM_IMG_9014.jpg" width="634" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Karen Sarrow, <i>Chain</i>, Acrylic and mixed media on linen, 17 x 17"</span></td></tr>
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<i>Chain</i>, painted prior to <i>After 9-11</i>, was more focused on the position of Sarrow as a new mom, acknowledging that society held the ideals of corporations, religion, energy and chemical exploitation higher than the health of families, children, and the environment.<br />
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Themes of human vulnerability permeate the <i>FEM</i> series of paintings, to emphasize that the life of the body is a physical reminder that we only have one earth to protect. The central image of the feminine is one that Sarrow has long waited to represent. The Earth, as an expectant mother, as with the feminine, will ultimately not be overcome by suppression.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzEHyA9zxab6cMaZRGve9HEe2fpgt86YSYhC5MPS4klsXjt_E2VJvU6XyQhdwuyCSrZoA5HvP7vrgAzIqATvuzz2SAuUoqZi-KUqBwg2qe3jdKozpmRjBvGAN5Yqh9G6U7g0SV1uvq2fZN/s1600/Karen%252BSarrow_Fire_Rose_1-24x18_2017.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1178" data-original-width="1107" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzEHyA9zxab6cMaZRGve9HEe2fpgt86YSYhC5MPS4klsXjt_E2VJvU6XyQhdwuyCSrZoA5HvP7vrgAzIqATvuzz2SAuUoqZi-KUqBwg2qe3jdKozpmRjBvGAN5Yqh9G6U7g0SV1uvq2fZN/s640/Karen%252BSarrow_Fire_Rose_1-24x18_2017.png" width="600" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Karen Sarrow, <i>Fire Rose I</i>, Acrylic on canvas, 25 x 19"</td></tr>
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Karen Sarrow was born in the U.K., and grew up in Missouri. She received an M.A. in Art History from The Ohio State University, and an MFA in Painting from Pratt Institute. She serves as TAG President and co-founder of Imagi.Life. She and her family live in Studio City.<br />
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The exhibition runs through September 22, 2018<br />
Artist Talk: Saturday, September 15, 3pmUnknownnoreply@blogger.com1tag:blogger.com,1999:blog-1323796795462602695.post-32224345696421908892018-09-06T06:00:00.000-07:002018-09-06T06:00:08.467-07:00Artist Spotlight: Boris Litvinov -- End of Privacy<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6R0kjvzENEL0w43vP7H6LQUkylkexfCS7cSZnUtFebSMrPI7fu8VKqwdTSF-fQokGgXddsf1zvbgPEEXl1E1-1Di48OlKpRVDU_DPKiiq7bS28iwefv2h_brEvtpwrnIqQ88n439bhPc3/s1600/DSC_0131.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1063" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6R0kjvzENEL0w43vP7H6LQUkylkexfCS7cSZnUtFebSMrPI7fu8VKqwdTSF-fQokGgXddsf1zvbgPEEXl1E1-1Di48OlKpRVDU_DPKiiq7bS28iwefv2h_brEvtpwrnIqQ88n439bhPc3/s640/DSC_0131.jpg" width="424" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Boris Litvinov, <i>Data Harvester</i>, discarded parts of household electronics, 31 x 16"</td></tr>
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Feeling called to action in the last year, artist Boris Litvinov produced a body of work drastically different from his typical stonework. The works in <i>End of Privacy</i> find Litvinov discarding the traditions of stone carving in favor of found objects and a microelectronic material palette. <i>End of Privacy</i> is a dive into social media’s function as instrumental tool in the spreading of false information, propaganda, and “fake news.”<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGNYHHmEIN58nBnkL8_9MsOn6ESqEuiZNX5PbmW_eWV3odAqtSpIDAMIw4dXQPBW8qcQpxN2xwtKcvVOCdscxhtRPDoeKNlETa3i1zaCvUEYKggIbpOe8Tzmbzn3dQXmNvhrANs5xSyJ2j/s1600/DSC_0289.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1063" data-original-width="1600" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGNYHHmEIN58nBnkL8_9MsOn6ESqEuiZNX5PbmW_eWV3odAqtSpIDAMIw4dXQPBW8qcQpxN2xwtKcvVOCdscxhtRPDoeKNlETa3i1zaCvUEYKggIbpOe8Tzmbzn3dQXmNvhrANs5xSyJ2j/s640/DSC_0289.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Boris Litvinov, <i>Ads Attack Kids</i>, found electronic parts and epoxy resin, 25.5 x 44.5"</td></tr>
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Previously living under the totalitarian rule of the Soviet era, Litvinov and his family aimed to live under the concept of a free society governed by a true, functioning and healthy democracy. However, since the last election, there has been an alarming increase in the number of hate crimes, calls for violent rhetoric, basic human decency, and empathy from the current administration and president. There has been a systematic, unabated obfuscation of reality, an assault on facts and truth, chaos disguised as political strategy, tax cuts for the rich, overt and blatant obstruction of justice, treasonous behavior domestically and internationally, disregard for and complete ignorance of the content of the foundational document of this great country - all committed by or because of one person whose only concern is for himself.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihtehY_WD9SKgGJr3aOT5-qbDIa_F07k4c5868aJ4BjYx2E1vJ726eDu3hMTLjLJhxTC3o-FfX4lhKycoV6a9tVVn0afXw0kh4QT0QawN1P1f76AGu_wg8Nsup5R9kwaLb3L6f_Ftyse-M/s1600/DSC_0290_1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1063" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihtehY_WD9SKgGJr3aOT5-qbDIa_F07k4c5868aJ4BjYx2E1vJ726eDu3hMTLjLJhxTC3o-FfX4lhKycoV6a9tVVn0afXw0kh4QT0QawN1P1f76AGu_wg8Nsup5R9kwaLb3L6f_Ftyse-M/s640/DSC_0290_1.jpg" width="424" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Boris Litvinov, <i>Propaganda Machine</i>, discarded parts of household electronics, 34 x 34"</span></td></tr>
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<i>End of Privacy</i> asks us to look at our own role in the propaganda machine and how our own social media presence may contribute to an atmosphere of toxicity, lies, and hostility.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUcHpgzcjcIjwmqKlT2SXbRIIYguvx6Mt7psdOEqAzhPNejwtyd8FzTf4XJvtwWOfUWZwxgHD_VNv38VaLC9ciPy_cr33BALZgziW99cMTO3Cl7Grj4FYGE2eCRBqvKeHdzgjRtyolRJ1s/s1600/DSC_0153.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1063" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUcHpgzcjcIjwmqKlT2SXbRIIYguvx6Mt7psdOEqAzhPNejwtyd8FzTf4XJvtwWOfUWZwxgHD_VNv38VaLC9ciPy_cr33BALZgziW99cMTO3Cl7Grj4FYGE2eCRBqvKeHdzgjRtyolRJ1s/s640/DSC_0153.jpg" width="424" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Boris Litvinov, <i>Data Storage</i>, discarded parts of household electronics, 29 x 20"</span></td></tr>
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The exhibition runs through September 22, 2018<br />
Artist Talk: Saturday, September 15, 3pmUnknownnoreply@blogger.com0tag:blogger.com,1999:blog-1323796795462602695.post-80107280526097035772018-09-04T06:00:00.000-07:002018-09-04T06:00:03.279-07:00Artist Spotlight: K Ryan Henisey -- Mythologies<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_IzcrIDSGR7zNK_yQ4LbS-54vrhm7x5O1URt5bmMoRIsXn8QFxa2vjvS8PmdwxSvS1tFs45xX_TS-aoE4QLR3lzJZWraKK5nJB2DB-U9IMRAkbZf_5YdpU3L2pMQuinUQ-9EVkJDWFs5U/s1600/Zephyrus.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1000" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_IzcrIDSGR7zNK_yQ4LbS-54vrhm7x5O1URt5bmMoRIsXn8QFxa2vjvS8PmdwxSvS1tFs45xX_TS-aoE4QLR3lzJZWraKK5nJB2DB-U9IMRAkbZf_5YdpU3L2pMQuinUQ-9EVkJDWFs5U/s640/Zephyrus.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">K Ryan Henisey, <i>Matrix Zephyri</i>, Ink, metal, foil, oil, paper collage, 40 x 40"</td></tr>
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K. Ryan Henisey presents his debut solo exhibition at TAG. <i>Mythologies</i>, selected watercolor, mixed media, and digital works, retells Queer myths from Classic and global mythology using contemporary self-portraiture. <br />
“As a boy, I used to speak to the wind,” says Henisey from his home in West Hollywood. “<i>Mythologies</i> is my celebration of the Wind. These pieces examine queer stories to reveal the mysteries of our divine selves. I am proud to share that the works were inspired by LGBT-themed global myths and my passion for the god of the West Wind.”<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk1tA6N6pVTjPkS36EhvAMkYvg6_ZZ_onWGmIt_j56PrOc3J2IZ3lfOwhuN0rR2nllcOa0Y0KFQvoib6PdbjJ3DAsxcqT5CsnfNdM3IdjSx6gTPvohY32FN57w-h1QlrtdP0VbDPs19Pc7/s1600/Hyacinth.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1000" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk1tA6N6pVTjPkS36EhvAMkYvg6_ZZ_onWGmIt_j56PrOc3J2IZ3lfOwhuN0rR2nllcOa0Y0KFQvoib6PdbjJ3DAsxcqT5CsnfNdM3IdjSx6gTPvohY32FN57w-h1QlrtdP0VbDPs19Pc7/s640/Hyacinth.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">K Ryan Henisey, <i>Flore Hyancinthus (Hyacinth Blooms),</i> Ink, metal, foil, oil, paper collage, 40 x 40"</span></td></tr>
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“The Wind may have been an imaginary friend, if you can name the air such a thing,” says Henisey. “But what inspires me most in the Hyacinth myth is the tragic loss that Zephyrus brings upon himself. Like Apollo, the Wind loved a human, and in his passion -- knowing the consequences but choosing them anyway -- killed him. In the myth I recognized a part of myself and it’s that recognition I want to inspire in you.”<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiN9dXV_p13X8PiFruAGRkh68VeK3cOUQGOS89P2HqXUjSLRmiEGXyP-bkNvUYnVwC2OStZSOzZEl-5CJyoNtoIdx3_F33khv55qcQjbCAWwCPE4o_BLZdgLuuEoZfBgx6czIdTOHPeAx7R/s1600/Xochipilli%252BBlue%252BOriginal.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="994" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiN9dXV_p13X8PiFruAGRkh68VeK3cOUQGOS89P2HqXUjSLRmiEGXyP-bkNvUYnVwC2OStZSOzZEl-5CJyoNtoIdx3_F33khv55qcQjbCAWwCPE4o_BLZdgLuuEoZfBgx6czIdTOHPeAx7R/s640/Xochipilli%252BBlue%252BOriginal.jpg" width="482" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">K Ryan Henisey, Xochipilli Caerulem inter Toxicondendron, Handcut paper, 24 x 18"</td></tr>
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In addition to his queer-themed gallery work, Henisey is engaging Instagram’s Queer communities with surprise selfie renderings. His current set is focused on trans men.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyfgpblhUVWGHtdIH_PL6Id8zSznAFSU6Fx33hGbHppfkEeYe4U3JFJGkuf1VnPBffYwZluhr-GqIVgFYWeoivOBu_jsIEkhywUE5e9jCtLQaL85NpNHAUOtxvAYEuVQ9PsnVriUungp2L/s1600/Via%252BKalifornica.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1133" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyfgpblhUVWGHtdIH_PL6Id8zSznAFSU6Fx33hGbHppfkEeYe4U3JFJGkuf1VnPBffYwZluhr-GqIVgFYWeoivOBu_jsIEkhywUE5e9jCtLQaL85NpNHAUOtxvAYEuVQ9PsnVriUungp2L/s640/Via%252BKalifornica.jpg" width="564" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">K Ryan Henisey, <i>Via Kalifornica (Kalifornica Road)</i>, Watercolor, metal foil, 42 x 36"</td></tr>
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<b>The exhibition runs through September 22, 2018</b><br />
<b>Artist Talk: Saturday, September 15, 3pm</b>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1323796795462602695.post-90699583138258470172018-08-30T06:00:00.000-07:002018-08-30T06:57:36.536-07:00Artist Spotlight: Pam Douglas -- Artifacts of Grace<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyCNOnW-62mx4vZkqydnKvyi9tom9T0Y_MTH3CJCvPaENNfbq8JQhBYWR3oXadxNhqSGJh-uL5Q3KsNFCfyzLZnHC9z5ZYcxwHErNvSunAJp3abSV21JGiA9TsAKyPSIWebO-Z-gmxslWM/s1600/BionicAngel%252B1mb.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="551" data-original-width="1500" height="230" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyCNOnW-62mx4vZkqydnKvyi9tom9T0Y_MTH3CJCvPaENNfbq8JQhBYWR3oXadxNhqSGJh-uL5Q3KsNFCfyzLZnHC9z5ZYcxwHErNvSunAJp3abSV21JGiA9TsAKyPSIWebO-Z-gmxslWM/s640/BionicAngel%252B1mb.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pam Douglas, <i>Bionic Angel,</i> Acrylic, clay, copper wire, tree parts, 25 x 66 x 10"</td></tr>
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<i>Artifacts of Grace,</i> is a solo exhibition by Pam Douglas whose body of work inspires human connection and resolve within female figures inhabiting found palm fronds and tree branches. Having broached sculptural substrates to paint on for the first time, Douglas fuses the materials’ physical qualities to highlight the human form. The works confront the viewer as complex objects of narrative, emotional, and physical contradiction. Douglas envisions her pieces as part of a larger dialogue raising awareness of not only immediate humanitarian crises, but as embodiments of women’s stories worldwide.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVxdsdOUDf1IsVaTK5GuQu6uL3_xjlXuAcZL4aXeLApVUZTrc56gC8N8cLJzo3gRl61amynJ7m2ubisXFrhP4_qn2YdpNCoaz2nLqUwTjyqbvS88SaudnFocMHc-1DeGxAq5wrmCSNp5qz/s1600/StayWithMecopy.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1453" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVxdsdOUDf1IsVaTK5GuQu6uL3_xjlXuAcZL4aXeLApVUZTrc56gC8N8cLJzo3gRl61amynJ7m2ubisXFrhP4_qn2YdpNCoaz2nLqUwTjyqbvS88SaudnFocMHc-1DeGxAq5wrmCSNp5qz/s640/StayWithMecopy.jpg" width="330" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pam Douglas, <i>Stay With Me</i>, Acrylic, clay, grasses on palm frond, 64 x 28 x 20"</td></tr>
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Douglas comments, “Children wrenched from their mother’s arms compelled me to my newest work <i>Stay With Me</i>. I tried to express optimism in this series but the horror at the border hurts too much. I didn’t want to illustrate issues or use my art as one more in a chorus of complaint. So most of this series reaches beyond this moment. But we are in a startling time. We’ve heard the cries of imprisoned children, and these works express a profound urge to avow our power and a refusal to be repressed.”<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSL0zC7GVLSixxovX2IoUC8gft1gOrSb3ksFydxvn5efvAPq1jIZ2SR5t7VdT_ZP5jwxffECjYpwBmPwjLYqrzZgdLoA1zbIBpIcO6fL9zoFWH2Xqmx7IG5S4jiaHpgoWACrTIYQB1s-uJ/s1600/TheBigHug2%252Bcopy.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1353" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSL0zC7GVLSixxovX2IoUC8gft1gOrSb3ksFydxvn5efvAPq1jIZ2SR5t7VdT_ZP5jwxffECjYpwBmPwjLYqrzZgdLoA1zbIBpIcO6fL9zoFWH2Xqmx7IG5S4jiaHpgoWACrTIYQB1s-uJ/s640/TheBigHug2%252Bcopy.jpg" width="350" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pam Douglas, <i>The Big Hug</i>, Acrylic, clay, grasses, plastic egg, silk on palm frond, 50 x 24 x 10"</td></tr>
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<br />
Pam Douglas is a Los Angeles based artist whose works have been included in the California African-American Museum and the Los Angeles County Museum of Art (LACMA), has been covered by Sharia Nys Dambrot in the Huffington Post, and by Scarlet Cheng, contributor to the Los Angeles Times.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijjo-9DOtbo9PMuP7ilXk_g9zK-wnysEqe0yJF2rTyfYk0iDJ6c2K4fDSlkKfgmBRgTUFLDNT39YRWhZNtH4aWeM2jZqXcNAVfTwaUYswaJwGekmeSAUKhfqwizeR9YrmuB6kIga373ZAL/s1600/Pilgrimage%252B1mb.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="522" data-original-width="1500" height="222" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijjo-9DOtbo9PMuP7ilXk_g9zK-wnysEqe0yJF2rTyfYk0iDJ6c2K4fDSlkKfgmBRgTUFLDNT39YRWhZNtH4aWeM2jZqXcNAVfTwaUYswaJwGekmeSAUKhfqwizeR9YrmuB6kIga373ZAL/s640/Pilgrimage%252B1mb.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pam Douglas, <i>Pilgrimage</i>, Acrylic, toy shoes on tree bark, 12 x 40 x 10"</td></tr>
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<b>The exhibition runs</b> <b>through September 22, 2018</b><br />
<b>Opening Reception: Saturday, September 1, 6-10pm<br />Artist Talk: Saturday, September 15, 3pm</b>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1323796795462602695.post-91455938451367593712018-08-28T06:00:00.000-07:002018-08-28T06:00:03.966-07:00Current Exhibition: Pam Douglas, K Ryan Henisey, Boris Litvinov, Karen Sarrow<b>August 28 - September 22, 2018<br />Opening Reception: Saturday, September 1, 6-10pm<br />Artist Talk: Saturday, September 15, 3pm</b><br />
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<b>Pam Douglas - <i>Artifacts of Grace</i></b><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjrVV6ZVfXfMtq75okVtMITHML6Vi5dhmFfYhyphenhyphenpnC_4HBB4dXLNdz4E86sCNH-8ei9mkyIk6-oXVKqqFMlkvhoYEgXM6Wnc3BJln7DOX0FL3hhQT1eiIWsYhINc48IU00h-sLdBg2jMBlW/s1600/Idol.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1320" data-original-width="500" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjrVV6ZVfXfMtq75okVtMITHML6Vi5dhmFfYhyphenhyphenpnC_4HBB4dXLNdz4E86sCNH-8ei9mkyIk6-oXVKqqFMlkvhoYEgXM6Wnc3BJln7DOX0FL3hhQT1eiIWsYhINc48IU00h-sLdBg2jMBlW/s640/Idol.jpg" width="242" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pam Douglas, <i>Idol</i>, Acrylic, clay, grasses, tree parts, 80 x 30 x 12"</td></tr>
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<div>
<b>K Ryan Henisey - <i>Mythologies</i></b></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsI5XWi5TKS7HHxXP_HnDeKEEz8ZIUb-BeQ5yGQEv9ScV9Uy9FpRG0uBa5-RwZv7purb8luBC1lZJcWWM0A55cIwf4E-ZTZLKQd2CImMlpfIXBVJxqPrQXH0RhXjgkgIKf2bWpLLjDVxex/s1600/Trans%252BSebastian.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1095" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsI5XWi5TKS7HHxXP_HnDeKEEz8ZIUb-BeQ5yGQEv9ScV9Uy9FpRG0uBa5-RwZv7purb8luBC1lZJcWWM0A55cIwf4E-ZTZLKQd2CImMlpfIXBVJxqPrQXH0RhXjgkgIKf2bWpLLjDVxex/s640/Trans%252BSebastian.jpg" width="584" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">K Ryan Henisey, <i>Trans Sebastian</i>, Watercoloer and metal foil, 36 x 42"</td></tr>
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<div>
<b>Boris Litvinov - <i>End of Privacy</i></b></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVm-o1gYSvGjtWWFAOPMGysAis9C7DasixBxsN-vRqwfed_pZMvYMDoIkO5oMcyANRJoGkEw3BlfzeCLUvsTuxkSZmrRBfw8iCAojSL3n-jIBohePJBAGQN3IY0ClYoETuKPNamaw-9Tna/s1600/Litvinov_Boris_sm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="750" data-original-width="1000" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVm-o1gYSvGjtWWFAOPMGysAis9C7DasixBxsN-vRqwfed_pZMvYMDoIkO5oMcyANRJoGkEw3BlfzeCLUvsTuxkSZmrRBfw8iCAojSL3n-jIBohePJBAGQN3IY0ClYoETuKPNamaw-9Tna/s640/Litvinov_Boris_sm.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Boris Litvinov, <i>Putin’s Web (Паутина Путина)</i>, Recycled consumer electronics embedded in epoxy resin, 26 x 45”</span></td></tr>
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<div>
<div>
Karen Sarrow - FEM</div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpZmYdK_3ZVivB9XZqTXNrZqeZe0NMLqJaO1E30mNk1ytaz1jF1nwnaU1KqkA6MwvXq74isnAQ6Z3DxAyXpe4iEmC8F6SSJtKb9Be8oKbs_dTa95XzJg9_5QqF-QrWtFaUIfRX_RccTaBW/s1600/Sarrow_Karen_One%252BNation%252B2-Acrylic%252Band%252BInk%252Bon%252BCanvas-80_%252Bx%252B60_-2018-IMG_9436%252B%25281%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1004" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpZmYdK_3ZVivB9XZqTXNrZqeZe0NMLqJaO1E30mNk1ytaz1jF1nwnaU1KqkA6MwvXq74isnAQ6Z3DxAyXpe4iEmC8F6SSJtKb9Be8oKbs_dTa95XzJg9_5QqF-QrWtFaUIfRX_RccTaBW/s640/Sarrow_Karen_One%252BNation%252B2-Acrylic%252Band%252BInk%252Bon%252BCanvas-80_%252Bx%252B60_-2018-IMG_9436%252B%25281%2529.jpg" width="472" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Karen Sarrow, <i>One Nation II</i>, Acrylic, 82 x 62"</td></tr>
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<div>
<br /></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1323796795462602695.post-59000144038105069872018-08-23T06:00:00.000-07:002018-08-23T06:00:09.708-07:002018 CA Open Selections -- PortraitsThe exhibition is open through August 25.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRwiCfkSsly1K7vZt5Ci9WfDgh_qLC3UqpTgpTxyRZ6pXDZ8WFWS55oDj5BXjOaIv-Q86-x22IhTgUOpVn-ekYHcxnrHfD6psBduwPtLx94NOJ-Ck6UNmlDfpekWKTv-TlKxFQzXUjpIFN/s1600/Arredondo_000061_389662_831230_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1140" data-original-width="1500" height="486" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRwiCfkSsly1K7vZt5Ci9WfDgh_qLC3UqpTgpTxyRZ6pXDZ8WFWS55oDj5BXjOaIv-Q86-x22IhTgUOpVn-ekYHcxnrHfD6psBduwPtLx94NOJ-Ck6UNmlDfpekWKTv-TlKxFQzXUjpIFN/s640/Arredondo_000061_389662_831230_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Melinda Arredondo, <i>Reine</i>, Archival print photograph, 24 x 36"</td></tr>
</tbody></table>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcT5wSBkzMhgeA0_9xE5wEhGgzI7PmL1uBRSJbfiotK8XHO5lfh_ImSoA9T4qinMnGymEF2JsXo7ivq60RqXEicw55K5lkcBuSzBdg5lj0mk9-YKpY4TMqIy6KZAg0NJXesQXe4TJzPlPn/s1600/Arredondo_000062_392567_831235_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1125" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcT5wSBkzMhgeA0_9xE5wEhGgzI7PmL1uBRSJbfiotK8XHO5lfh_ImSoA9T4qinMnGymEF2JsXo7ivq60RqXEicw55K5lkcBuSzBdg5lj0mk9-YKpY4TMqIy6KZAg0NJXesQXe4TJzPlPn/s640/Arredondo_000062_392567_831235_5276.jpg" width="427" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Melinda Arredondo, <i>Maria Luz</i>, Archival print photograph, 37 x 28"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRpBSqZfo2FvIeo4l7i9HIqhqMlr5VeH3-pYjOzHbKUwYzl61gDG6p_7H6R8_6dLDbx6VnZqfVXxZ9nS2kKnwjRw3OHLFIOUXEH9H1d-LuhuR0UarTo9gyscMEhShbcb67A3eKjpc6rr_a/s1600/Barnes_000063_406858_844802_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1125" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRpBSqZfo2FvIeo4l7i9HIqhqMlr5VeH3-pYjOzHbKUwYzl61gDG6p_7H6R8_6dLDbx6VnZqfVXxZ9nS2kKnwjRw3OHLFIOUXEH9H1d-LuhuR0UarTo9gyscMEhShbcb67A3eKjpc6rr_a/s640/Barnes_000063_406858_844802_5276.jpg" width="427" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Carson Barnes, <i>Eleuteria Gregori Brioschi at 40, 1948</i>, Archival pigment print, 27 x 18"</td></tr>
</tbody></table>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg30BY2IWF3Nto2KsjJlaTaHbCQHLoh436G72LfUPT5U4n96sYHppQVp7iW3O6BPJu4lJzFqWVXhulszMXdYa2oun51fDwQTto79_PqWESBovnCld_5KAvUwnjbZMSNRzBUnRaf55KPv0w8/s1600/Barnes_000064_406859_846543_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1125" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg30BY2IWF3Nto2KsjJlaTaHbCQHLoh436G72LfUPT5U4n96sYHppQVp7iW3O6BPJu4lJzFqWVXhulszMXdYa2oun51fDwQTto79_PqWESBovnCld_5KAvUwnjbZMSNRzBUnRaf55KPv0w8/s640/Barnes_000064_406859_846543_5276.jpg" width="427" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Carson Barnes, <i>Princess Emily Doria Pamphilij at 39, 1904, after Canonica</i>, Archival pigment print, 18 x 12"</td></tr>
</tbody></table>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwlNI6ICqIqOkumJoY6qx-fN8drD5A9IKXIL1dYFix5pkQiH-DzHjyTF9LO-LknNV44cP1mfVe43WBmFRzOxJyjc8wAFISgihWiJt6yNS3Z4n0m96aAzpPSLpDbwDMXBDgwujpuAOERo4L/s1600/Carrie_000025_400137_839609_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1256" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwlNI6ICqIqOkumJoY6qx-fN8drD5A9IKXIL1dYFix5pkQiH-DzHjyTF9LO-LknNV44cP1mfVe43WBmFRzOxJyjc8wAFISgihWiJt6yNS3Z4n0m96aAzpPSLpDbwDMXBDgwujpuAOERo4L/s640/Carrie_000025_400137_839609_5276.jpg" width="510" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Dennis Carrie, <i>Konrad</i>, Mixed media, 28 x 22"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCUfRyy79gPbW3k_AHJnjHbAA1uA5QjPh6KWueRXBAKO79lT_zm186BWu3y_dTJYcgVIh6yFOOIgILdM56lcDb5J8so-u6RRJctbvLvG9Gbf1IKwLEkn1lck2J-J18MIX8mSnc5Vp9ybNc/s1600/DiNicola_000039_407562_848598_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1000" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCUfRyy79gPbW3k_AHJnjHbAA1uA5QjPh6KWueRXBAKO79lT_zm186BWu3y_dTJYcgVIh6yFOOIgILdM56lcDb5J8so-u6RRJctbvLvG9Gbf1IKwLEkn1lck2J-J18MIX8mSnc5Vp9ybNc/s640/DiNicola_000039_407562_848598_5276.jpg" width="480" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Brian DiNicola, <i>Signs of Life</i>, Oil on panel, 16 x 12"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiItsAnGAcKGX-cLTNT4V9Zn5cjN4jEND_QOWrpZPQfjWAkgDHSGjelysYseCBx7x3UwxScGdtx9vsmyclpq9Kd0M1LAO9Bqhqw6a4EQkmxrtyCCNMkjb1aJZSVvHclcGoJOUlMjbVnZMWL/s1600/DiNicola_000040_407563_848601_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1272" data-original-width="1001" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiItsAnGAcKGX-cLTNT4V9Zn5cjN4jEND_QOWrpZPQfjWAkgDHSGjelysYseCBx7x3UwxScGdtx9vsmyclpq9Kd0M1LAO9Bqhqw6a4EQkmxrtyCCNMkjb1aJZSVvHclcGoJOUlMjbVnZMWL/s640/DiNicola_000040_407563_848601_5276.jpg" width="504" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Brian DiNicola, <i>Seance</i>, Oil on panel, 14 x 11"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjks4lSBvPZ4-BvI8DjUW14OJWz1U9EKJ8f_dYJyV02iaS2cTFbd580m6vYVOjDOMsvsu4gkG5kHRcXmztdhg4xNVHG2uoJTK0AXapDh-F2-DB_eJSTJViAzkw9yfpxQGO3YsjI3hFrTOaO/s1600/Fitzpatrick_000042_407326_848362_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1029" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjks4lSBvPZ4-BvI8DjUW14OJWz1U9EKJ8f_dYJyV02iaS2cTFbd580m6vYVOjDOMsvsu4gkG5kHRcXmztdhg4xNVHG2uoJTK0AXapDh-F2-DB_eJSTJViAzkw9yfpxQGO3YsjI3hFrTOaO/s640/Fitzpatrick_000042_407326_848362_5276.jpg" width="466" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Daniel Fitzpatrick, <i>James with Black Eye</i>, Oil on linen, 16 x 12"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkBOvIIr05zLZhZyUKAvTaZzQMV_diiXFM5r8jM-YENj2z7rLue0Cdkx8THVau6L_qRUhf8qIbeA34NDtZNv75HKqSPMGzI8ZS2IgBvpTIswqFFwjy5li97Mjve475uQrhHsIXAKoTuiRh/s1600/Fitzpatrick_000043_407442_848432_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1232" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkBOvIIr05zLZhZyUKAvTaZzQMV_diiXFM5r8jM-YENj2z7rLue0Cdkx8THVau6L_qRUhf8qIbeA34NDtZNv75HKqSPMGzI8ZS2IgBvpTIswqFFwjy5li97Mjve475uQrhHsIXAKoTuiRh/s640/Fitzpatrick_000043_407442_848432_5276.jpg" width="519" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Daniel Fitzpatrick, <i>The Toll</i>, Oil on linen, 25.5 x 22"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxqb1xMRgo0F6euwGabbXbSdjjO23sv2G_UgkunvWqbb9YyGaSTkk2GSUU0HFHyjmjV-b_s-JyEszqTw97gabTygjfDGUlwvpjqriFyfKZhy_SsnUGAWDD32pZyrzu1v8QZ1apHx26dbLm/s1600/Moross_000049_398504_837841_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1098" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxqb1xMRgo0F6euwGabbXbSdjjO23sv2G_UgkunvWqbb9YyGaSTkk2GSUU0HFHyjmjV-b_s-JyEszqTw97gabTygjfDGUlwvpjqriFyfKZhy_SsnUGAWDD32pZyrzu1v8QZ1apHx26dbLm/s640/Moross_000049_398504_837841_5276.jpg" width="583" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Lena Moross, <i>David & Dominic #1</i>, Watercolor and ink on paper, 45 x 45"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEie5YU5JdGjDofV8WuiURC1G5A8SjkW14OWiiph3QA6ApOURmXlSgdUKtj7KYJc89hfZ2fhdM0l8OsB30O3XkEhVSC3ENPENQxWD6K2nO2ZZE2O6DKhn5IpwDHk8LDhL04SqHnfWEw2Qoa3/s1600/Reynolds-green_000051_400027_839496_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1303" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEie5YU5JdGjDofV8WuiURC1G5A8SjkW14OWiiph3QA6ApOURmXlSgdUKtj7KYJc89hfZ2fhdM0l8OsB30O3XkEhVSC3ENPENQxWD6K2nO2ZZE2O6DKhn5IpwDHk8LDhL04SqHnfWEw2Qoa3/s640/Reynolds-green_000051_400027_839496_5276.jpg" width="491" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Williams Reynolds-Green, <i>Selfie</i>, Acrylic on wood, 20 x 16"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvOmrcjeHoloARdmjx6ajLR5HQosvK8Z2LUDKPJiDuBzNlE28JQafhL0asKJCPpBKJNZkQVzWbKOG5sbTnvdeg2lF2mn00Xz9iIeQf6vzaen1H8e5-frl9NnTFooI6Ji0O3iTLYUTB6Q54/s1600/Stillman_000052_396154_834906_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1000" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvOmrcjeHoloARdmjx6ajLR5HQosvK8Z2LUDKPJiDuBzNlE28JQafhL0asKJCPpBKJNZkQVzWbKOG5sbTnvdeg2lF2mn00Xz9iIeQf6vzaen1H8e5-frl9NnTFooI6Ji0O3iTLYUTB6Q54/s640/Stillman_000052_396154_834906_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Partic Stillman, <i>Free Radical, Tribute to Harry Hay</i>, Acrylic, 24 x 24"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgp6c26MWIRQlsBfjYXx3ldaH7VTYc2-fD5cypq9pSUQyflbJDnZ67nz57bGfVFaRbU0V51u7apWEjND6XfdVUtkB4bP7iVqN6ylCqhxKrClCSKOZwBgHuVJ7A0iJ6G08xny-pyOLo1L0Z2/s1600/Torres_000054_369340_800097_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1327" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgp6c26MWIRQlsBfjYXx3ldaH7VTYc2-fD5cypq9pSUQyflbJDnZ67nz57bGfVFaRbU0V51u7apWEjND6XfdVUtkB4bP7iVqN6ylCqhxKrClCSKOZwBgHuVJ7A0iJ6G08xny-pyOLo1L0Z2/s640/Torres_000054_369340_800097_5276.jpg" width="482" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Hedy Torres, <i>Are they wrong, am I right, am I wrong? And you just kind o...,</i> Oil on canvas, 48 x 36"</td></tr>
</tbody></table>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1323796795462602695.post-62886713986620479972018-08-22T06:00:00.000-07:002018-08-22T06:00:10.796-07:002018 CA Open Selections -- FigurativeThe exhibition is open through August 25.<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5cLZ5j3i0p99ouGgUOwoL_AHHp0kI2qkqH9t1tYYe0EO1LmKcOjrBKMNYKCg4Z3M1ciFJMC4rXmAljLSJ6XE0iykyNynFfWj6SEC9jSm_6K97jfVe-Aw6IPYt3clzh01IbEYtShyphenhyphen0LLHw/s1600/Benicio_000023_406754_589598_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1267" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5cLZ5j3i0p99ouGgUOwoL_AHHp0kI2qkqH9t1tYYe0EO1LmKcOjrBKMNYKCg4Z3M1ciFJMC4rXmAljLSJ6XE0iykyNynFfWj6SEC9jSm_6K97jfVe-Aw6IPYt3clzh01IbEYtShyphenhyphen0LLHw/s640/Benicio_000023_406754_589598_5276.jpg" width="505" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Angelique Benicio, <i>No Man's Land</i>, Mixed media, costume, photography, 42 x 33"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs6h9OsbZLK_UwTCn45Vb7EC2sGszuTa15XRrWFYLrhpe8sZZ7s7Cp4rFVSgGcYHpTnjeTgBdOaK2uHwPMLyq-61_90_INyMC1p5puCY0eKFoQQlJH8n2EFr1oSMm1USK7fODswmXA-RMH/s1600/Cahill_000024_400724_064961_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="788" data-original-width="1500" height="336" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs6h9OsbZLK_UwTCn45Vb7EC2sGszuTa15XRrWFYLrhpe8sZZ7s7Cp4rFVSgGcYHpTnjeTgBdOaK2uHwPMLyq-61_90_INyMC1p5puCY0eKFoQQlJH8n2EFr1oSMm1USK7fODswmXA-RMH/s640/Cahill_000024_400724_064961_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Blair Cahill, <i>The Accordionists,</i> Embroidery on linen, 12 x 24 x 2.5"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguHSlrpZhEobEfZaOpaO9dCaPLzm_08wN_8G9LRHJYODt6HsSXtrU_7FNoPmdQxLFN3-pl8uAJlCEmzItv_DfIwuTD83UdX9-Jlw1aoJwhvuYG1VbFAKpv5qntvPuIjxCRXLOBJSZ-d15R/s1600/Davidson_000002_400805_384522_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1063" data-original-width="1500" height="454" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguHSlrpZhEobEfZaOpaO9dCaPLzm_08wN_8G9LRHJYODt6HsSXtrU_7FNoPmdQxLFN3-pl8uAJlCEmzItv_DfIwuTD83UdX9-Jlw1aoJwhvuYG1VbFAKpv5qntvPuIjxCRXLOBJSZ-d15R/s640/Davidson_000002_400805_384522_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Bibi Davidson, <i>Flood</i>, Oil on wood and elements, 26 x 36"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicBTVYS3DOY_Dopxayxqpc0WoR5k-My5JdPdDonTrJiNLAXZXAwPgy_IfezB3-veKjZg4GIrwxCLYwqUoxn8RgtzR3Vl_wYUZC9So9tU2_bnOcoFH1-aNI6ohvzDakvV5Zzb4elEO4ZxtW/s1600/Fox_000044_404102_840792_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1483" data-original-width="1500" height="633" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicBTVYS3DOY_Dopxayxqpc0WoR5k-My5JdPdDonTrJiNLAXZXAwPgy_IfezB3-veKjZg4GIrwxCLYwqUoxn8RgtzR3Vl_wYUZC9So9tU2_bnOcoFH1-aNI6ohvzDakvV5Zzb4elEO4ZxtW/s640/Fox_000044_404102_840792_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Marie Fox, <i>Three Muses</i>, Acrylic on canvas, 30 x 30"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOrOTW_fr_Ns7f53Hpmx9Qk-4iTaHx9J7w4yDHlQytRScTcM34MY4lEci2SjhDWFVXYR1iXEXFLKfyVuK65eRT5cBzRFZM0-aZL4oHeCrJnwHcW7tB05W1sKYmV7Ss1j6CfyTeEC-u_28u/s1600/Gordon_000074_399422_838861_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1500" height="512" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOrOTW_fr_Ns7f53Hpmx9Qk-4iTaHx9J7w4yDHlQytRScTcM34MY4lEci2SjhDWFVXYR1iXEXFLKfyVuK65eRT5cBzRFZM0-aZL4oHeCrJnwHcW7tB05W1sKYmV7Ss1j6CfyTeEC-u_28u/s640/Gordon_000074_399422_838861_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nathalie Gordon, <i>Lustration</i>, Photograph, 36 x 48 x 8"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuYpPMbkW-7lULPPk-UTlhh0QZntErLhRmNylxf3oIZPk9puZx15HSgJvVFsN6tYZEtJ6t2QqHzbhNulVTZCzonChtR2PBZ-jRlZv9njIx-NBDqlXc5jWCDIq3o4yKRQLozgPKIuf1orZ5/s1600/Halma_000045_395680_774472_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1253" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuYpPMbkW-7lULPPk-UTlhh0QZntErLhRmNylxf3oIZPk9puZx15HSgJvVFsN6tYZEtJ6t2QqHzbhNulVTZCzonChtR2PBZ-jRlZv9njIx-NBDqlXc5jWCDIq3o4yKRQLozgPKIuf1orZ5/s640/Halma_000045_395680_774472_5276.jpg" width="511" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sophie Halma, <i>Boulder Creek Float</i>, Oil on canvas, 20 x 16"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdu281_CdtOjPOem2md0Xz6W2KI8JnQar1aVBS6FuaQdkZEMhY1sgOPD0yhMbQ83CELc9rSihDaZSTe2VGurt5cuZbqfMKEAS0bD3zOHjjIzc9xa9LfnD6jUphXF4K9LOEZqAXx-hD1Jvf/s1600/Pritchard_000084_405856_846259_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="995" data-original-width="1500" height="425" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdu281_CdtOjPOem2md0Xz6W2KI8JnQar1aVBS6FuaQdkZEMhY1sgOPD0yhMbQ83CELc9rSihDaZSTe2VGurt5cuZbqfMKEAS0bD3zOHjjIzc9xa9LfnD6jUphXF4K9LOEZqAXx-hD1Jvf/s640/Pritchard_000084_405856_846259_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jennifer Pritchard, <i>Team USA</i>, Photograph, 20 x 30"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOnUA2YJuV1rGGzwpkIk3dsE3XNA06JwZxl94ifOPpWnM-i0Fv5qfYTvdx1oAD5-D8TOXWXcUIJqfDdDl4MAtq4cH005VEEAH_Ew4f3PxIfObZ5kNNkyCHsllICZBS_rzeIZaXZPqIg78T/s1600/Spiller_000035_392092_830622_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1201" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOnUA2YJuV1rGGzwpkIk3dsE3XNA06JwZxl94ifOPpWnM-i0Fv5qfYTvdx1oAD5-D8TOXWXcUIJqfDdDl4MAtq4cH005VEEAH_Ew4f3PxIfObZ5kNNkyCHsllICZBS_rzeIZaXZPqIg78T/s640/Spiller_000035_392092_830622_5276.jpg" width="533" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Stephen Spiller, <i>Socrates In Despair No. 1</i>, Archival pigment print, 40 x 33"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgP5c4eJbvb0c-0csotI_Nl8e5sPOekmb0rbpgWtw_HgacVIvTJ2i-pVUwqU_BHGAyO0ZKaixcZuzzdyhNP_t9aeRgIRq6t_DrfEQWoxhCLgMzA8V3TjOGopaeOLIVZ1-hze-Ta6HHEOD0N/s1600/Wagensberg_000056_399904_813032_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1020" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgP5c4eJbvb0c-0csotI_Nl8e5sPOekmb0rbpgWtw_HgacVIvTJ2i-pVUwqU_BHGAyO0ZKaixcZuzzdyhNP_t9aeRgIRq6t_DrfEQWoxhCLgMzA8V3TjOGopaeOLIVZ1-hze-Ta6HHEOD0N/s640/Wagensberg_000056_399904_813032_5276.jpg" width="627" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Silvia Wagensberg, <i>Mother's Beach</i>, Acrylic on vinyl, 48 x 48"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaIq9jklStPVUQJB3J9slUpRYzdi-OT0_0PVXUlI3NS2xG2YWXxwzqQBJNUG9djESELFZDRcGLTJpn3gDaLN_qamLJaFhVPJl2cR_eCjjHtKZG0nMbVm_ty8ZWaWnnmDvpZ1NNJeswDnen/s1600/Waiblinger_000011_398020_797753_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1197" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaIq9jklStPVUQJB3J9slUpRYzdi-OT0_0PVXUlI3NS2xG2YWXxwzqQBJNUG9djESELFZDRcGLTJpn3gDaLN_qamLJaFhVPJl2cR_eCjjHtKZG0nMbVm_ty8ZWaWnnmDvpZ1NNJeswDnen/s640/Waiblinger_000011_398020_797753_5276.jpg" width="401" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">John Waiblinger, <i>Urban Forrest</i>, Digital composite, 38 x 24"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxuQhSZmPvg7fbnLsfHI-dCi2aBS3yGm6Z1AaAzQE9A4zJdyuFzwj3li_UoZ6ufG0FHAB6i9uRUces4r-x4XBmnhPL9yUZxjSZUDfSSHKdpxPjMMUMIrfLB004iZ2siDfmeNaDArg9jOju/s1600/Waiblinger_000012_398023_837003_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1096" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxuQhSZmPvg7fbnLsfHI-dCi2aBS3yGm6Z1AaAzQE9A4zJdyuFzwj3li_UoZ6ufG0FHAB6i9uRUces4r-x4XBmnhPL9yUZxjSZUDfSSHKdpxPjMMUMIrfLB004iZ2siDfmeNaDArg9jOju/s640/Waiblinger_000012_398023_837003_5276.jpg" width="438" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">John Waiblinger, Gently I Hold You, Digital composite, 16 x 11"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht-_w3VrAVGrvw0MRn1KIv9Oxsv5NCenuYCDy5TetHYIOitYo5sPthl7FLrNOSgHIPpqe6wS53rbcDzKWoZLIiZNyaIQwmctbw1GMcpJehdxp3Hh07nmmJnzqPHMjb0eOXhXEO_KqKZLy1/s1600/Weinstein_000085_407484_150347_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1272" data-original-width="1001" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht-_w3VrAVGrvw0MRn1KIv9Oxsv5NCenuYCDy5TetHYIOitYo5sPthl7FLrNOSgHIPpqe6wS53rbcDzKWoZLIiZNyaIQwmctbw1GMcpJehdxp3Hh07nmmJnzqPHMjb0eOXhXEO_KqKZLy1/s640/Weinstein_000085_407484_150347_5276.jpg" width="504" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sandra Chen Weinstein, Untitled D, Archival pigment print photograph, 18 x 12"</td></tr>
</tbody></table>
Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-1323796795462602695.post-59984928855924350832018-08-21T06:00:00.001-07:002018-08-21T06:00:09.805-07:002018 CA Open Selections -- Assemblage, Still Lifes, ObjectsThe exhibition is open through August 25.<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEYgCai4MFa1pnL98T-5-THY-yUcKAdLJzEcVaXoNUtSIMRcEyTW3b3iJ-bi3oy-yXl_upChNfqVB5yH_1F9kK-Tfc2aZsUbX584m9ffdmZpqkt0Y3NyCmpDHfnYPRApAhrilSKRtU9xEp/s1600/Burke_000001_400681_840146_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1125" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEYgCai4MFa1pnL98T-5-THY-yUcKAdLJzEcVaXoNUtSIMRcEyTW3b3iJ-bi3oy-yXl_upChNfqVB5yH_1F9kK-Tfc2aZsUbX584m9ffdmZpqkt0Y3NyCmpDHfnYPRApAhrilSKRtU9xEp/s640/Burke_000001_400681_840146_5276.jpg" width="427" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">JT Burke, <i>Paradise No 2 - Superlush! </i>Digital Collage archival pigment print, 36 x 24"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv2addILQyDTHoXvlyc5EEd7wUyPlo0zn1mkRjNRpnJJUjigqyjba6tGyqPaIS_j_BXN-y5vx72dbVUdgAYiD8xMp7RP3NMPKkgKctRHtkKIqJGwZrzaR8kYcjkaL8XUMqU2Ht6rXpfgim/s1600/Curtis_000087_390310_326791_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1005" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv2addILQyDTHoXvlyc5EEd7wUyPlo0zn1mkRjNRpnJJUjigqyjba6tGyqPaIS_j_BXN-y5vx72dbVUdgAYiD8xMp7RP3NMPKkgKctRHtkKIqJGwZrzaR8kYcjkaL8XUMqU2Ht6rXpfgim/s640/Curtis_000087_390310_326791_5276.jpg" width="478" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Chick Curtis, <i>Angel and Three Spatulas</i>, Monotype, chine colle, oil pastel, 34 x 26"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjidzehrciUhEYU87P1k9yT0k6C6rMTps2os87V6I1UVyIJ_w3jpsm3mljUPF2U1BlgfVfc_N6Yhg14BmZpLY4knLBLckx-a-X3UXpcLumz48hbOeMvpvqAXYLCK6BjF6VNwAUl8ugMDLnJ/s1600/Disman_000093_394955_833932_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1027" data-original-width="1500" height="438" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjidzehrciUhEYU87P1k9yT0k6C6rMTps2os87V6I1UVyIJ_w3jpsm3mljUPF2U1BlgfVfc_N6Yhg14BmZpLY4knLBLckx-a-X3UXpcLumz48hbOeMvpvqAXYLCK6BjF6VNwAUl8ugMDLnJ/s640/Disman_000093_394955_833932_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Debra Disman, <i>Throes of the Body</i>, Book board, hemp cord, canvas, mulberry paper, watercolor paper, 13 x 27 x 10.25"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8d5LGTuEDrRmRblwD8TMxN7oRTr_C5kaikR8Xc-K7XkLiEQlENbv7z2MBmwuSJ7nv_i_l8tr2dt-qI98aAFmDzRXkGohM_HhLCRlhIG6P2tcI7Uw8LZiesBNCs6yaQAjJR4K6_KdRSL2x/s1600/Fleming_000070_400239_839712_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1492" data-original-width="1500" height="637" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8d5LGTuEDrRmRblwD8TMxN7oRTr_C5kaikR8Xc-K7XkLiEQlENbv7z2MBmwuSJ7nv_i_l8tr2dt-qI98aAFmDzRXkGohM_HhLCRlhIG6P2tcI7Uw8LZiesBNCs6yaQAjJR4K6_KdRSL2x/s640/Fleming_000070_400239_839712_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Joseph Fleming, <i>Sunday Morning</i>, Digital Photograph, 24 x 24"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrR4DAlYbsf5XFyDbgl_g85K3Y6RvIrhm0dtWtTFovsSwdJFG0dbkFhdiFlLRQZG1JjRbb-GNm-HXELKL82_s4o50fdmE_1IVbb7FFly16BML8pn5zDvTFDTuPEKyXn8m6XXNgyiLWGDZ5/s1600/Jercich_000099_405180_261306_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1001" data-original-width="1500" height="427" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrR4DAlYbsf5XFyDbgl_g85K3Y6RvIrhm0dtWtTFovsSwdJFG0dbkFhdiFlLRQZG1JjRbb-GNm-HXELKL82_s4o50fdmE_1IVbb7FFly16BML8pn5zDvTFDTuPEKyXn8m6XXNgyiLWGDZ5/s640/Jercich_000099_405180_261306_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">George Jercich, <i>Varmint</i>, Blown glass, wood, fabricated steel, 12 x 36 x 20"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFHhyphenhyphen46_RW_HShtmWaSAnSL6xBYwovKYywlC3qj17tqi4z-YhLuH6sXL-tEYbjt8o1xT8PZzRR6XGSKG-yzMFFg4vC0zGrFDxg1C1ZFVe_AiKD5skaqq3cEVQVrJUPcx-ss1UDD0Wjy2pK/s1600/Lloyd_000004_391824_830265_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="997" data-original-width="1000" height="638" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFHhyphenhyphen46_RW_HShtmWaSAnSL6xBYwovKYywlC3qj17tqi4z-YhLuH6sXL-tEYbjt8o1xT8PZzRR6XGSKG-yzMFFg4vC0zGrFDxg1C1ZFVe_AiKD5skaqq3cEVQVrJUPcx-ss1UDD0Wjy2pK/s640/Lloyd_000004_391824_830265_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Terri Lloyd, <i>As Above</i>, Digital collage and illustration printed on canvas, 31 x 31"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOPK_cQrZ4h-v1MDzYbwea55oRmmmg835OswO4L-Mt5a1jYWIOmGmu-GF5etdcfh05LZcqp6JCFFjZMoGFDMR7PIvxfL-Jq160VcBFEfSNwTSN-cJlxn_xMUgoX9WXAY2wPTYeSVNW0SKm/s1600/Lloyd_000005_391825_830267_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="999" data-original-width="1000" height="639" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOPK_cQrZ4h-v1MDzYbwea55oRmmmg835OswO4L-Mt5a1jYWIOmGmu-GF5etdcfh05LZcqp6JCFFjZMoGFDMR7PIvxfL-Jq160VcBFEfSNwTSN-cJlxn_xMUgoX9WXAY2wPTYeSVNW0SKm/s640/Lloyd_000005_391825_830267_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Terri Lloyd, <i>So Below</i>, Digital collage and illustration printed on canvas, 31 x 31"</span></td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRmQ9zRQF3Bti7MB9Il-3yCxx7Z2R-jvAN3R3_dtrHfy9GcDecax59K-_daqJapK_mbl_wpM2bfZacz4se5jT850KptEabMW_aF_9lgfhyphenhyphenLvq0IGS-VjaPCGu4ItZ4Xhav_k1vDqGZwUCO/s1600/Shadravan_000102_393946_401994_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1001" data-original-width="1500" height="427" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRmQ9zRQF3Bti7MB9Il-3yCxx7Z2R-jvAN3R3_dtrHfy9GcDecax59K-_daqJapK_mbl_wpM2bfZacz4se5jT850KptEabMW_aF_9lgfhyphenhyphenLvq0IGS-VjaPCGu4ItZ4Xhav_k1vDqGZwUCO/s640/Shadravan_000102_393946_401994_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Farnaz Shadravan, <i>Tomb of the Unknown Soldier from Rearranging My Furniture</i>, Wood and metal, 50 x 40 x 8"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYOjM8DAla8yocG_PoIN5YQcLH6LES60GLYQURHnjvQ3zxNyEaR-XJW87YGr4xvwGljmTfExa8Hg987-p6XHLTYQ6x3WkyhQq9MmMODrKY9nW5D7AleWy43dGS6nBkhF8nBpQN7GcAWueU/s1600/Sydney_000036_331773_751575_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1075" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYOjM8DAla8yocG_PoIN5YQcLH6LES60GLYQURHnjvQ3zxNyEaR-XJW87YGr4xvwGljmTfExa8Hg987-p6XHLTYQ6x3WkyhQq9MmMODrKY9nW5D7AleWy43dGS6nBkhF8nBpQN7GcAWueU/s640/Sydney_000036_331773_751575_5276.jpg" width="595" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Stephanie Sydney, <i>Reflection on Space</i>, Digital Collage, mixed media, 25 x 23 x 2"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo1ZRMnHcpJI6Uro2qUqTw6U-ea3aGUPq6iqhg1EsIFpNPDdHSXMgMkxyq2ukdicxAEzK60rGhQ0Y0QBGoMGMWvH85znaGb5wJuoEHIMY6Z8AFxSsTO-s9T6uKgRT97qLhyfnNibv9DnVz/s1600/Thomas_000053_397863_836977_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1005" data-original-width="1500" height="429" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo1ZRMnHcpJI6Uro2qUqTw6U-ea3aGUPq6iqhg1EsIFpNPDdHSXMgMkxyq2ukdicxAEzK60rGhQ0Y0QBGoMGMWvH85znaGb5wJuoEHIMY6Z8AFxSsTO-s9T6uKgRT97qLhyfnNibv9DnVz/s640/Thomas_000053_397863_836977_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Laurel Thomas, <i>Martini Glass Abstract #7 - Olive Kaleidoscope,</i> Acrylic on canvas, 26 x 39"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc49Wh4a_58eVaM8VEbTWrKZ7AaiNPXTCd0pCHg9Reqqoy0Sk9xou6_hhRCNbGRcKv8yCLo05RE0aTU5WZHRK094kK1Or2omh653t3hYRwy8k38MdUBC4bAmfNOeriQFZc8XCZtLS65lhK/s1600/Varay_000103_390041_828031_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1129" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc49Wh4a_58eVaM8VEbTWrKZ7AaiNPXTCd0pCHg9Reqqoy0Sk9xou6_hhRCNbGRcKv8yCLo05RE0aTU5WZHRK094kK1Or2omh653t3hYRwy8k38MdUBC4bAmfNOeriQFZc8XCZtLS65lhK/s640/Varay_000103_390041_828031_5276.jpg" width="425" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Vivienne Varay, <i>My Paddle,</i> Fire, wood, hematite, steel, 10 x 6 x 3"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUhzcJkzQN2rEprcz9FsOfxQRtQLmBjk4X03LK2xpcnXnVVLFCYJqfcQYwN6WxTD1svfFvSOOv1L_JMPNsjTjWZCgN9uDYeBbxM4FoXuJlJ6wGLCYkdK4iQXDOhb8Qo4YHdYp4hKZAlfJK/s1600/Verbenec_000090_407092_826826_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="800" data-original-width="1200" height="427" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUhzcJkzQN2rEprcz9FsOfxQRtQLmBjk4X03LK2xpcnXnVVLFCYJqfcQYwN6WxTD1svfFvSOOv1L_JMPNsjTjWZCgN9uDYeBbxM4FoXuJlJ6wGLCYkdK4iQXDOhb8Qo4YHdYp4hKZAlfJK/s640/Verbenec_000090_407092_826826_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Michael Verbenec, <i>Armchair</i>, Silkscreen Print, 20 x 30"</td></tr>
</tbody></table>
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1323796795462602695.post-7198364283458198982018-08-20T06:00:00.000-07:002018-08-20T10:59:38.234-07:002018 CA Open Selections -- Social CommentaryThe exhibition is open through August 25.<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwB6OR800jYLhTfuefS-CUqeB-t1T7YfDpqONwxwaus2aZzulCWi1ZRsRwguZwdE7SOP-QBDgXXzrrxHsuMaG6UiJwGw6CYyTTDQhNAhO_eJq8VzkSliq9zioAfLy0rDkRs7UBOWA0ZeoE/s1600/cooksey.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="228" data-original-width="290" height="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwB6OR800jYLhTfuefS-CUqeB-t1T7YfDpqONwxwaus2aZzulCWi1ZRsRwguZwdE7SOP-QBDgXXzrrxHsuMaG6UiJwGw6CYyTTDQhNAhO_eJq8VzkSliq9zioAfLy0rDkRs7UBOWA0ZeoE/s640/cooksey.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Katherine Cooksey, <i>Nails</i>, Video</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUxT8E-M3svApKp2fa9zEtGXSLWz5dmSrCN6IzG2fMg0_87yOU3RFG1rtzv2F_FJCIm9R5_Xlu8kgbwth8I7G2Bfc_2844snSMkvHlitF7RKjmdYz_gsvjI5VD5k1Qmv57_BkCOPLf5Nee/s1600/Diamond_000066_407792_848849_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1333" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUxT8E-M3svApKp2fa9zEtGXSLWz5dmSrCN6IzG2fMg0_87yOU3RFG1rtzv2F_FJCIm9R5_Xlu8kgbwth8I7G2Bfc_2844snSMkvHlitF7RKjmdYz_gsvjI5VD5k1Qmv57_BkCOPLf5Nee/s640/Diamond_000066_407792_848849_5276.jpg" width="360" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">L. Aviva Diamond, <i>KKKeep America Great</i>, Archival pigment print, 16 x 9"</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjY-ADMrt3onQiyLcKAAiE7vheF7ljPkpm6qlfyiE2nakQhfOneUk28HFcn0cSr5uTGMu5qfmZheRHrzhyh8qAnrXVt1BJuPHOWjBPPZQlrnxmcwKbCRTxxqDxbmV_mt641yKLvnd-6puE8/s1600/Froschauer_000095_402712_821103_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1125" data-original-width="1500" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjY-ADMrt3onQiyLcKAAiE7vheF7ljPkpm6qlfyiE2nakQhfOneUk28HFcn0cSr5uTGMu5qfmZheRHrzhyh8qAnrXVt1BJuPHOWjBPPZQlrnxmcwKbCRTxxqDxbmV_mt641yKLvnd-6puE8/s640/Froschauer_000095_402712_821103_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Scott Froschauer, <i>Breathe</i>, DOT Specification Street Sign, 120 x 41 x 2"</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0eHIai8N5KJeRxd3e01-Dz86i63WlJowqkIXr0GiGMUfc6g4widww0gsd3sVJSR3s79IJD_BOT9cCCtUl_xD3_oDiYlOGlmOD_apYcDeeDNadSOKBuPrKcJnJxuXZ35t_0fVmkuDeQk5r/s1600/Gaumer_000097_398039_566988_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1000" data-original-width="1500" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0eHIai8N5KJeRxd3e01-Dz86i63WlJowqkIXr0GiGMUfc6g4widww0gsd3sVJSR3s79IJD_BOT9cCCtUl_xD3_oDiYlOGlmOD_apYcDeeDNadSOKBuPrKcJnJxuXZ35t_0fVmkuDeQk5r/s640/Gaumer_000097_398039_566988_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Lauryl Gaumer, <i>she held her head high, unable to let her chin fall</i>, Brass, 5 x 4 x 4"</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5fW1Y6kN6huY4n9JJrSr5RNnRvcMvyWsfnjFKgOexjNyfvlG3r5Sr36Y3BDufh7BN-qKxGx3gHuneTXZM-1RbqfwyYRaoVOflzGNE8wI0Sk7cfJps0QmKO_FInb1grHoiUqKHYP73bO2F/s1600/Halpern_000098_405511_845800_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1107" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5fW1Y6kN6huY4n9JJrSr5RNnRvcMvyWsfnjFKgOexjNyfvlG3r5Sr36Y3BDufh7BN-qKxGx3gHuneTXZM-1RbqfwyYRaoVOflzGNE8wI0Sk7cfJps0QmKO_FInb1grHoiUqKHYP73bO2F/s640/Halpern_000098_405511_845800_5276.jpg" width="430" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Emily Halpern, <i>Greed in the Garment Industry</i>, Mixed media, 29 x 36 x 36"</td></tr>
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<tr><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiTcXX9biN802A4aquScv42Q52SWToNPmd-fFbRGHx0d6dfGXuCkGfN-mvm6mwoH_2G8Ma-U4i3P5WwqEYqVRQu_WrnVKFbKjd66DckpoXNKnEq88BydeTVPx-miFqMYd0kkBpn2MmqgOv/s1600/Henderson_000046_400927_707704_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1058" data-original-width="1500" height="450" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiTcXX9biN802A4aquScv42Q52SWToNPmd-fFbRGHx0d6dfGXuCkGfN-mvm6mwoH_2G8Ma-U4i3P5WwqEYqVRQu_WrnVKFbKjd66DckpoXNKnEq88BydeTVPx-miFqMYd0kkBpn2MmqgOv/s640/Henderson_000046_400927_707704_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption"><span style="font-size: x-small;">Lynette Henderson, <i>Elk with Pink Ash</i>, Acrylic on canvas, 17 x 24"</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiX4T7AWZ7k-QSK2HehtkwF9FE-VPnI7rdWypxwJizKLrASvQ0ZaJjrYGdv-bXMmbL3KYU01ApG5HxPcE2VoChzziPy9rJXNrpjOb1-O6sDxGyDprdq7uv3QGb8sKvbQG1NU8_mpWfk8GiZ/s1600/King_000100_407450_848435_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1108" data-original-width="1500" height="473" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiX4T7AWZ7k-QSK2HehtkwF9FE-VPnI7rdWypxwJizKLrASvQ0ZaJjrYGdv-bXMmbL3KYU01ApG5HxPcE2VoChzziPy9rJXNrpjOb1-O6sDxGyDprdq7uv3QGb8sKvbQG1NU8_mpWfk8GiZ/s640/King_000100_407450_848435_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Kellan King, <i>Saticoy (Shelter from the Wind)</i>, Mirrored acrylic, Portland cement, flocking, 8 x 48 x 48"</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5KnQV5Fgvgf0FDc_x6lF72bRJ326ScVl-i5hQt7-j6_595w6Eeh7YFxiKGBPJMLbK4XIEOspjxEVZTtWPpImFM2IYrkTlX03mt7ELRBWs3ck37URhEe2jIicxkfbzVJ7Do52q5YClyUMC/s1600/Mack_000006_405446_844665_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="942" data-original-width="1200" height="502" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5KnQV5Fgvgf0FDc_x6lF72bRJ326ScVl-i5hQt7-j6_595w6Eeh7YFxiKGBPJMLbK4XIEOspjxEVZTtWPpImFM2IYrkTlX03mt7ELRBWs3ck37URhEe2jIicxkfbzVJ7Do52q5YClyUMC/s640/Mack_000006_405446_844665_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Amy Mack, <i>Barcode Bears Ears National Monument</i>, Digital media archival digital print, 11 x 14"</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitWWJaP2zmRe-AQeluB6sBYze-07J1uTnTLLZFnONqyqdKp12nQO1CsAHImSIGyJo2RZVUXSayjOrPPBohItnCBpN37Z5m_6OiFfOzdTbsAtdVsASDe8AIJjPKvAAqRilpTjShct9GUSt-/s1600/Mack_000007_405447_844739_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1273" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitWWJaP2zmRe-AQeluB6sBYze-07J1uTnTLLZFnONqyqdKp12nQO1CsAHImSIGyJo2RZVUXSayjOrPPBohItnCBpN37Z5m_6OiFfOzdTbsAtdVsASDe8AIJjPKvAAqRilpTjShct9GUSt-/s640/Mack_000007_405447_844739_5276.jpg" width="503" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Amy Mack, <i>Barcode No. 45 White Sheet</i>, Digital media, archival digital print, 14 x 11"</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiY9Fkk16ZDHq7m7-pIICDVHz6K7Dj4yqhlvNYmPRs36TOb4pMgx2y1gXyZFjtv6q0Bncq2rJxlI-zbHVOcJhDgDVPoaIomBMjZywtKGC9cHJAS9KmAkPOkeWkGTTkw1-DBb10ZKZisKBs5/s1600/Magallon_000008_396881_835862_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1294" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiY9Fkk16ZDHq7m7-pIICDVHz6K7Dj4yqhlvNYmPRs36TOb4pMgx2y1gXyZFjtv6q0Bncq2rJxlI-zbHVOcJhDgDVPoaIomBMjZywtKGC9cHJAS9KmAkPOkeWkGTTkw1-DBb10ZKZisKBs5/s640/Magallon_000008_396881_835862_5276.jpg" width="495" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Tia Magallon, <i>Plastic Ocean</i>, Photographic illustration, 52 x 40"</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgn0QrYhzaRdUWMqPINiJNMg33T8vuAz9hyphenhyphenNfkipcHRc7aUsQNvo8yZHISjF6W0Nba_UUla2kG5tslDXfSQuE9SslENOp_VgoHNMX19mKWQPvo6easljhmB5xGglFRus_li8USxel75rGj-/s1600/Saar_000009_407804_852083_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1000" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgn0QrYhzaRdUWMqPINiJNMg33T8vuAz9hyphenhyphenNfkipcHRc7aUsQNvo8yZHISjF6W0Nba_UUla2kG5tslDXfSQuE9SslENOp_VgoHNMX19mKWQPvo6easljhmB5xGglFRus_li8USxel75rGj-/s640/Saar_000009_407804_852083_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Seda Saar, <i>SOS (CO2nesquences)</i>, Archival Cprint on metallic paper, 24 x 24"</td></tr>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1323796795462602695.post-29169251963494164362018-08-16T06:00:00.000-07:002018-08-27T11:22:51.982-07:002018 CA Open Selections -- Urban Landscapes and ArchitecturalThe exhibition is open through August 25.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjj7SfEqiPKwXIDsJ-rC8iAsWyOGrUZOEBL8ZT80Wc7UYk9u6wAAWi4G8FzgCo1ie_M2YyofDkAzXaTENmJgbfA7Ns_UIRoaPsg7VncLdcWQNgmgFiy37p8P-_bIUrYj0kF3PJ3mnzmaERX/s1600/Arnold_000038_406616_847490_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="254" data-original-width="1500" height="108" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjj7SfEqiPKwXIDsJ-rC8iAsWyOGrUZOEBL8ZT80Wc7UYk9u6wAAWi4G8FzgCo1ie_M2YyofDkAzXaTENmJgbfA7Ns_UIRoaPsg7VncLdcWQNgmgFiy37p8P-_bIUrYj0kF3PJ3mnzmaERX/s640/Arnold_000038_406616_847490_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sarah Arnold, <i>Bellevue Angelino Heights</i>, Oil on panel, 4 x 24"</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8tKZSgJdXmCiXO7XuosgHPkDaEzMrFFx3QWlQxQppe7LUndHhEE4SsVsxJc6pz3DV0ELAV-5Q396rd_iHGsXD-PLCznN7cv2q7403zY_Yom0MjQ5ZR-jEkLuw4q7A7N343LZptHfISj_t/s1600/Brock_000086_407381_529987_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1320" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8tKZSgJdXmCiXO7XuosgHPkDaEzMrFFx3QWlQxQppe7LUndHhEE4SsVsxJc6pz3DV0ELAV-5Q396rd_iHGsXD-PLCznN7cv2q7403zY_Yom0MjQ5ZR-jEkLuw4q7A7N343LZptHfISj_t/s640/Brock_000086_407381_529987_5276.jpg" width="485" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">M Sherwood Brock, <i>Home</i>, Intaglio monotype with chine colle, 33.5 x 25.5"</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJb8uEo4KFpWmGgazXWX07QUrol9qrXK7enqo5z05RS6f0nNdO3j1aj1Ty3C4Z0Cmx4Ynkr2RfWVwTSbD2Ecy7h79_6K4hVuS0UpNWZPiGsVPqJaAW0OfUYVRPns_R3uuvdjyc1-mycvVp/s1600/Chesler_000026_376828_244530_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1475" data-original-width="1500" height="629" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJb8uEo4KFpWmGgazXWX07QUrol9qrXK7enqo5z05RS6f0nNdO3j1aj1Ty3C4Z0Cmx4Ynkr2RfWVwTSbD2Ecy7h79_6K4hVuS0UpNWZPiGsVPqJaAW0OfUYVRPns_R3uuvdjyc1-mycvVp/s640/Chesler_000026_376828_244530_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Michael Chesler, <i>Julio's Store</i>, Photographs and correction fluid, 27 x 27"</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4gFJ3s9URSkgSBqUWpGIRZoUrh4oXJZ9nViti9ZZWLyCUafAE-ggLWU0fcqShPzBFoHGNb-u_QK8jMTlzHxS4i9HNQu0_J8rXh0K8PBed8kt2oQRWpp9DLsvM4UPL_IlNn6YmzarK1S_g/s1600/Chesler_000027_376829_244572_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1061" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4gFJ3s9URSkgSBqUWpGIRZoUrh4oXJZ9nViti9ZZWLyCUafAE-ggLWU0fcqShPzBFoHGNb-u_QK8jMTlzHxS4i9HNQu0_J8rXh0K8PBed8kt2oQRWpp9DLsvM4UPL_IlNn6YmzarK1S_g/s640/Chesler_000027_376829_244572_5276.jpg" width="603" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Michael Chesler, <i>The Addition</i>, Photographs and correction fluid, 25 x 24"</span></td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy_xL80lnaQ5osPcSL_mWjVmQmhlLRld_72RIdqYznPs9BpYHdQzoKJXjtFjf6au5uB77ezgzfISNIqYq_hioAXKOZYXxT51oVDxM-CvF1DfNo8BrGlhO0Mcyf4L6OviU9r-diO5EIC9El/s1600/Fedak-II_000067_400862_300823_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="993" data-original-width="1500" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy_xL80lnaQ5osPcSL_mWjVmQmhlLRld_72RIdqYznPs9BpYHdQzoKJXjtFjf6au5uB77ezgzfISNIqYq_hioAXKOZYXxT51oVDxM-CvF1DfNo8BrGlhO0Mcyf4L6OviU9r-diO5EIC9El/s640/Fedak-II_000067_400862_300823_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nicholas Fedak II, <i>Rear Window,</i> Archival pigment print, 18 x 20"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFyfQWVaHeII_cf1Jco7Z8PQOMXmRSK12i8ftLvLHMxAoVyoyM95Kiu3nbQBT6KOnEGSXVBbM5vUDHochEc9hz3xxKUjLvHh92jSxJ0Cie8GLgCP21SeIOsy1LreSw9JFOBYH9cRcnY2JS/s1600/Fedak-II_000068_400864_716768_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="993" data-original-width="1500" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFyfQWVaHeII_cf1Jco7Z8PQOMXmRSK12i8ftLvLHMxAoVyoyM95Kiu3nbQBT6KOnEGSXVBbM5vUDHochEc9hz3xxKUjLvHh92jSxJ0Cie8GLgCP21SeIOsy1LreSw9JFOBYH9cRcnY2JS/s640/Fedak-II_000068_400864_716768_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Nicholas Fedak II, <i>Porch from a Summer's Dream,</i> Archival pigment print, 18 x 20"</span></td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgx6w3p3WfHknGjPYCKksPZTjRtlj_EpZxIQ0Sfeid_AF3gBbhcKPAI_QlvQTkYt5tPIIiSHnLVOuYVbxqIBO8u7yd3FWyvDpzFAed50lFCMFR2a0GUUqE2iUTS61d1SGpGX7X8tkwgc5Om/s1600/Golden_000072_407799_848853_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1228" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgx6w3p3WfHknGjPYCKksPZTjRtlj_EpZxIQ0Sfeid_AF3gBbhcKPAI_QlvQTkYt5tPIIiSHnLVOuYVbxqIBO8u7yd3FWyvDpzFAed50lFCMFR2a0GUUqE2iUTS61d1SGpGX7X8tkwgc5Om/s640/Golden_000072_407799_848853_5276.jpg" width="521" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">J Golden, <i>Modern Staircase</i>, Archival digital print on Museo Portfolio rag paper, 17 x 12"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEit5MaRU5PAv2l9YN2hesf_y4cs1mR61MR4H983Rkr5qKhZPxxFRBOg8vJ3U09HMFJpECjp3_KHOGpwInTqiiflJ_7WED18jf2CB7CsQfw3PahHebEIm_qUVQUelL9OkViAEIvHz-TSs3XO/s1600/Greene_000075_400826_753517_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1143" data-original-width="1500" height="488" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEit5MaRU5PAv2l9YN2hesf_y4cs1mR61MR4H983Rkr5qKhZPxxFRBOg8vJ3U09HMFJpECjp3_KHOGpwInTqiiflJ_7WED18jf2CB7CsQfw3PahHebEIm_qUVQUelL9OkViAEIvHz-TSs3XO/s640/Greene_000075_400826_753517_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Richard Greene, <i>Abstract Architectural #1</i>, Archival pigment print, 16 x 20"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-HUy_TFIstau4Gi4PXZUOWqAY8RcPmFqOQTiVg_3E42edYHtt5rDpvYox3yQz4z2MxIduMRON_Jp1LSQKnjDuoQGPkqcg5-Lg-d3Iob39DnjPxJ8WhW48CeT6pNDWL99xPTH0M88lk5Ai/s1600/Hwang_000076_398783_838167_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="589" data-original-width="1500" height="251" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-HUy_TFIstau4Gi4PXZUOWqAY8RcPmFqOQTiVg_3E42edYHtt5rDpvYox3yQz4z2MxIduMRON_Jp1LSQKnjDuoQGPkqcg5-Lg-d3Iob39DnjPxJ8WhW48CeT6pNDWL99xPTH0M88lk5Ai/s640/Hwang_000076_398783_838167_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sue Hwang, <i>Driftwood Dairy</i>, Digital photograph, 13 x 19"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-MaBhC40Hf-uk1ZZn9SKcHQBZwUanGiUkHXNawWqO929xuOg05eilUXWu7QuUMSJ-7jYpyhHunkRJ0wuFVyhDqQkThXzy4svIS4PP44UvDm4CerxsTS7js9GHqY3ANXQ0OZmcJdRneecq/s1600/Hwang_000077_398785_838170_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1072" data-original-width="1500" height="457" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-MaBhC40Hf-uk1ZZn9SKcHQBZwUanGiUkHXNawWqO929xuOg05eilUXWu7QuUMSJ-7jYpyhHunkRJ0wuFVyhDqQkThXzy4svIS4PP44UvDm4CerxsTS7js9GHqY3ANXQ0OZmcJdRneecq/s640/Hwang_000077_398785_838170_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sue Hwang, <i>Jack Colker's 76</i>, Digital photograph, 8 x 10"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjziFQMW2c_IRYqbI5oAJ9dm70XpPvqkMb-1wPuLG5eN-EikZZHjMOlwgTs-4YqpXwWg0_hLFmpaJHDKMfYxfIyxOXLlwFmM1-AeYFA3nAmFwGcml8zkMd_zj0XQNMog-5I7tsqQk6tITY9/s1600/Keeley_000080_404296_844254_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1500" height="512" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjziFQMW2c_IRYqbI5oAJ9dm70XpPvqkMb-1wPuLG5eN-EikZZHjMOlwgTs-4YqpXwWg0_hLFmpaJHDKMfYxfIyxOXLlwFmM1-AeYFA3nAmFwGcml8zkMd_zj0XQNMog-5I7tsqQk6tITY9/s640/Keeley_000080_404296_844254_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Dennis Keeley, <i>The Red Tree</i>, Archival pigment print, 17 x 22"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0dsFQacUMPTEzvMva2E-5sTxHi0aWTutFOR7q-Kcvc7UON7BNzOmBpytvs67_ZNjPXnho7GH-sxF-9AaEG58MvO8pkQIdEVpjJ8L8DxkTkHdGAczR9h6bwztscz36ph413zeSwri2qOW2/s1600/Keeley_000081_404302_844256_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="918" data-original-width="1500" height="392" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0dsFQacUMPTEzvMva2E-5sTxHi0aWTutFOR7q-Kcvc7UON7BNzOmBpytvs67_ZNjPXnho7GH-sxF-9AaEG58MvO8pkQIdEVpjJ8L8DxkTkHdGAczR9h6bwztscz36ph413zeSwri2qOW2/s640/Keeley_000081_404302_844256_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Dennis Keeley, <i>Measurement</i> Archival pigment print, 17 x 22"</span></td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJqTs3XHFKx8wj7yRpCenwvkWW1TrJJYN3Eh7zkMubmtDDLSv7jbP-edNopVk-NbTsygIvI6mS40Y83h9KqZ_DMqNiXxqGbneRWFOep0BMyO3e-ZDvfOUSR3TEvgUAB0NkfxcgqQ14GcQz/s1600/Manente_000048_398883_838283_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1125" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJqTs3XHFKx8wj7yRpCenwvkWW1TrJJYN3Eh7zkMubmtDDLSv7jbP-edNopVk-NbTsygIvI6mS40Y83h9KqZ_DMqNiXxqGbneRWFOep0BMyO3e-ZDvfOUSR3TEvgUAB0NkfxcgqQ14GcQz/s640/Manente_000048_398883_838283_5276.jpg" width="427" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Michael Manente, <i>Seventh Street</i>, Oil on canvas, 36 x 24"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCrF6FFMnWIeTax1WBKxJd8cxmOpFR6xdnArYnO_GQCes4ki7cbJTD1noOsQjegNKNKZeIzoEO6DHUBc1eA-7SQf6smI-AH0j7mbcUHUjlTOhFxHJfH1qb7j4lwoZsS_V0kQ4pFpvlfn27/s1600/Perlmann_000083_398951_604944_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1001" data-original-width="1500" height="427" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCrF6FFMnWIeTax1WBKxJd8cxmOpFR6xdnArYnO_GQCes4ki7cbJTD1noOsQjegNKNKZeIzoEO6DHUBc1eA-7SQf6smI-AH0j7mbcUHUjlTOhFxHJfH1qb7j4lwoZsS_V0kQ4pFpvlfn27/s640/Perlmann_000083_398951_604944_5276.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Karchi Perlmann, Arroyo #1, Archival pigment print, 24 x 36"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi32zwk2tChDnstsmmA5P0GaOl_3gzB4ZfsYmO1LDbBV9tLiwFmm6ubtTK61W_fUIzlVuJSJtDiIZt8ZgPu2WL45n-y6RfAyYt7M7HVe9pnWz6w4Hm9ZQby3C7nNGeZyLNrNoL8EtMLTpVy/s1600/Warren_000057_401403_840908_5276.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1302" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi32zwk2tChDnstsmmA5P0GaOl_3gzB4ZfsYmO1LDbBV9tLiwFmm6ubtTK61W_fUIzlVuJSJtDiIZt8ZgPu2WL45n-y6RfAyYt7M7HVe9pnWz6w4Hm9ZQby3C7nNGeZyLNrNoL8EtMLTpVy/s640/Warren_000057_401403_840908_5276.jpg" width="492" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Lindsey Warren, <i>Backyard</i>, Oil on canvas, 48 x 36"</td></tr>
</tbody></table>
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