Tuesday, November 27, 2018

Artist Spotlight: Joe Pinkelman -- America

Joe Pinkelman, This Land is Our Land (White Immigrants First), Ceramic, 22 x 19 x 20"
TAG presents America, a new body of work by ceramicist Joe Pinkelman.
Pinkelman was strongly influenced by two books, We Were Eight Years in Power by Ta-Nehisi Coates and Stamped from the Beginning: The Definitive History of Racist Ideas in America by Ibram X. Kendi. The books examine historical and current racism in America.
Joe Pinkelman, I Promise To Be Double (White) Good (Standards for White Folk Are Much Lower), Ceramic, 22 x 13 x 12"
Pinkelman only begins to scratch the surface of the deplorable treatment that black Americans have received since the 17th century. His examination is further limited because it comes from a white male for who the US system was tailored.
Joe Pinkelman, In Memory of Trayvon Martin (My Blood is Red Like Yours), Ceramic, 22 x 20 x 3"
As there are too many to count or list, this body of work tries to collectively visualize a portion of egregious actions.
Joe Pinkelman, Incarceration is the New Plantation (Change the Criminal Justice Code), Ceramic, 22 x 13 x 12"
The Exhibition runs through Saturday December 15
Reception: Saturday, December 1, 5­-8 p.m.
Artist Talk: Saturday, December 15, 3pm

Monday, November 19, 2018

Current Exhibition: Deborah Decker, Shelley Lazarus, Joe Pinkelman

Tuesday November 20 -­ Saturday December 15
Reception: Saturday, December 1, 5­-8 p.m.

Artist Talk: Saturday, December 15, 3pm

Deborah Decker -- Memory
Deborah Decker, Night Ride, Graphite on Paper, 48 x 105"

Shelley Lazarus -- H2O works
Shelley Lazarus, Ventura Hills, Watercolor, 12 x 21"
Joe Pinkelman -- America
Joe Pinkelman, I Can’t Breathe (In Memory Of Eric Garner), Ceramic, 8” x 18” x 12”

Tuesday, November 6, 2018

Artist Spotlight: Damon Reinagle - Hidden Agendas

TAG Gallery presents Hidden Agendas, a series of works by painter Damon Reinagle. Reinagle has been a surreal aficionado, with admiration for the dream-like vistas of Marc Chagall and Salvador Dali. This coupled with his love for the magical swirling colors and imagery of Yoshitaka Amano, has inspired Damon to explore patterns and symbols that evoke decadence and decay, but at the same, joy and hopefulness.

With his doll head series, Reinagle depicts his characters with a classical feel as though the porcelain-like portraits are ageless, yet fragile in nature. Often set against crumbling, depleted architectural facades, the heads suggest that there may be a silver lining after all, with a delicate butterfly or hummingbird about.

Reinagle’s use of a heart as both a romantic symbol as well as a negative shape emerging from tangled thorns, presents the viewer with the dichotomy of good versus evil, growth versus decay. The heart as a suspended mass of molten lava begs the questions, how sustainable is our planet? Will the delicate balance of survival continue to be threatened by man’s greed for materialism or will he wake up to the warnings of over population, climate change and lack of potable water?

The suspended lava heart, the fragile doll heads and the recurring theme of fish out water, all echo nature’s vulnerability to the hidden agendas of humanity.

The show runs through November 17.
Artist Talk: Saturday, November 10th, 3 PM