Friday, October 28, 2016

Artist Spotlight: Lorraine Bubar

Lorraine Bubar, Late, Papercut, 19 x 23"
Lorraine Bubar’s newest body of intricate papercut work is titled Under Water. Bubar has always been fascinated with the ebb and flow of water and the subsequent creation of abstract patterns that break up the images beneath its surface. 
Lorraine Bubar, Heron Heaven, Papercut, 30 x 30"
Bubar’s work is influenced by her love of Japanese woodblock prints and traditional folk art from a variety of countries around the world. She takes a contemporary, painterly approach to the heritage of paper cutting, using colored papers that primarily originate from Nepal and Japan. Her technique, utilizing an X-acto knife, creates an intricate, often symmetrical lacework while the subsequent layering and texture of the papers produces depth. The best way to appreciate this powerful imagery is to observe it up close and be awed by the detail in her handwork.
Lorraine Bubar, Changing Directions, Papercut, 30 x 30"
Under Water finds Bubar implementing koi fish as central figures in her visual narrative. Traditionally, koi symbolize a commanding and vibrant life force, as demonstrated by their ability to swim against currents and even travel upstream. Bubar uses this ideology of perseverance, good fortune, success, prosperity, longevity, and courage as the underlying common theme that ties her graphic narrative together.
Lorraine Bubar, Heron Hazard, Papercut, 30 x 30"
In a time when people are feeling submerged “under water” with the pressures of daily life and a increasingly mechanized and monotonous environment, Bubar continues to create pieces that intentionally highlight the handmade nature of her work, connecting to a historical heritage that crosses the boundaries of craft and fine art. The images are powerful yet relaxing, swirling with movement and aesthetically pleasing colors. While her subject matter lives below the water’s surface, Under Water aims to lift our spirits, to incite the same perseverance and resolve in the viewer as the koi themselves.

Lorraine's work will be on view at TAG through November 19.
Gallery events include:
Halloween Festivities: Saturday, October 29, 5-8pm
Opening Reception: Saturday, November 5, 5-8pm
Meet the Artist: Saturday, Nov 12, 3 pm

Monday, October 24, 2016

Current Exhibition: Lorraine Bubar, Katie Crown, Carol Kleinman, Elizabeth Szymczak

October 25th - November 19th, 2016

Opening Reception: Saturday, November 5th, 5-8PM

Artist Panel: Saturday, November 12th, 2016, 3pm

Lorraine Bubar – Underwater
Lorraine Bubar, On the Surface, Papercut, 22x31"
Katie Crown – Audiences
Katie Crown, Voir Dire, Oil on canvas, 48 x 60"
Carol Kleinman – The Secret Life of Windows
Carol Kleinman, Paris - Quartet, Single exposure image on canvas, 11 x 30"
Elizabeth Szymczak - Transition
Elizabeth Szymczak, May the Force Be With You, Oil on canvas, 24 x 36"

Monday, September 26, 2016

Current Exhibition: Sally Jacobs, Ernie Marjoram, Jane Peterson

September 27th – October 22nd, 2016

Opening Reception: Saturday, October 1st, 5-8PM

Artist Panel: Saturday, October 8th, 3pm



Sally Jacobs – Larger than Life
Sally Jacobs, Bok Choy, Watercolor, 27 x 29"
In her latest exhibit of watercolor paintings and graphite drawings Sally Jacobs, a long time Miracle Mile resident, was inspired by the rich arrays of produce and flora found in Los Angeles’ farmers markets. Jacobs zooms in, portraying flowers, vegetables, and fruit with dramatic precision. She  transforms a vegetable we choose for nourishment or a flower for decoration by aiming higher, rendering the unique structure eye-catching and explicit, causing the viewer to catch their breath in wonder.

Jacobs uses watercolor or pencil in a unique, graduated way, masterfully capturing the minutest details of her subjects’ anatomy while staying true to the whole. She delves deep into a plant’s structure to reveal striking patterns and colors that seize one’s attention and imagination.

Jacobs is a contemporary botanical artist who has exhibited in numerous juried shows in New York and San Francisco, and at museums in New York, Minneapolis and Phoenix. She was an award winner at the Brand 37 Works on Paper exhibit and is one of the artists included in Todays Botanical Artists, a publication of well-regarded nature artists.

Ernie Marjoram – Homage to Trees
Ernie Marjoram, Backlit, Oil, 36 x 48"
As a Los Angeles artist, Ernie Marjoram lives in the city and sometimes finds himself stressed and anxious while stuck in freeway traffic. On a recent visit to the local San Bernardino Mountains Marjoram seemed to feel better, physically and emotionally when surrounded by trees. With this new series of paintings the artist has attempted to capture that feeling and bring it back to the city. “At least now I am surrounded by paintings of trees!” the artist said with a smile.

Marjoram’s art reflects his interest in representational painting techniques but upon closer inspection the images also utilize elements of abstraction. Working on canvas with traditional brushes, Marjoram also uses unconventional tools such as sea sponges, rags, string and rope to create subtle textures and random forms. Unusual angles and close cropping further enhance the sense of abstraction in some of the compositions. Working from his own photos, Marjoram moved his easel from the studio into his backyard to be able to paint in unfiltered natural light and fresh air.

“The process of creating these paintings was an enjoyable yet challenging experience. I am still exploring how to render tree forms in the futile attempt to capture the beauty of nature.”

Jane Peterson – Welcome Earthlings
Jane Peterson, Landing, Mixed media sculpture, 25 x 38 x 4.5"
Jane Peterson’s new work continues to explore the spectrum of human emotion with particular attention to anxiety, passion, fear, as well as elements of humor. Cartoon-like characters make their way through Peterson’s fanciful compositions, ranging from otherworldly creatures to abstracted human forms. Her hybrid travelers exist in an environment not entirely foreign to that of her viewers; they wander between reality and the subconscious, taking on personalities that are decidedly familiar, yet eerie.

For her limited edition digital pieces, Peterson always starts with drawing. The digital process and its potential to surpass and exceed the speed of thought continually amaze Peterson. Any digital mark she makes can be instantly changed, duplicated, or eliminated. In addition to digital paintings, this current body of work includes drawings on birch panels with wax/oil crayon, ink, and graphite. The wax surface is polished with a soft cloth, to create a satin finish. The surfaces of her sculptures are treated in the same way, on ceramic, wood, and metal supports.