Tuesday, October 9, 2018

Artist Spotlight: Marion Wood - Field Notes

Marion Wood, Tryptic, Acrylic, 60 x 60"
TAG Gallery is proud to present Field Notes, a series of paintings from Marion Wood focusing on the simplest elements of artistic expression. In order to capture and depict delicate terrains, Wood experiments with color fields and the use of gravity as a catalyst to portray the force of nature that pulls the rain to the roots within the earth.
Marion Wood, The Three, Acrylic
“I often find myself bombarded with technology. Cellphones, internet, social media, news media, and a president who tweets his every whim; It causes me to seek introspection, solitude and solace in nature, or a quiet space to ruminate. Personal reflection and self-assessment are the tools I use to keep my head amidst the constant bombardment. By looking within ourselves we intuitively know how to treat out fellow humans of any race, gender, or economic stature, and how to protect our environment.”
Marion Wood, A New Day, Acrylic, 48 x 60"
"There is an overwhelming sense of peace when I see and experience something raw and beautiful in the wilderness and I strive to wander through these canvases with that same connection, an excitement toward life and hope for the future."
Marion Wood, Winter Forest, Acrylic, 72 x 48"
The exhibition runs through October 20.
Artist Talk: Saturday, October 13, 3pm

Thursday, October 4, 2018

Artist Spotlight: Sunhee Joo - Message of Love

Sunhee Joo, Return of the Prodigal Son, Digital painting on paper, 9.5 x 7.5"
Sunhee Joo’s first solo exhibition at TAG Gallery features poetic digital works on paper, featuring her favorite subjects: God, humanity, and nature. This exhibition is a compilation of her digital work since 2011.
Sunhee Joo, Gethsemane, Digital painting on paper, 5 x 9"
Sunhee Joo’s works have evolved since her MFA in Abstract Painting at UCLA in 1987. Her work is a mixture of abstract and representational forms, marrying her unique expression of Bible stories and people with nature. Joo aims to convey her soul searching spiritual journey in America after her immigration in 1970, showcasing her bicultural heritage, the East and the West.
Sunhee Joo, Mother and Children, Digital painting on paper, 12 x 10"
The exhibition, Message of Love, evokes layers of memories, emotions, and feelings. Joo conveys these many facets of love through depiction of different people in real life, characters in the Bible, or imagined people with simplified lines, shapes and colors.
Sunhee Joo, Mother Washing, Digital painting on paper, 6 x 6"
The exhibition runs through October 20.
Opening Reception: Saturday, October 6, 5-8pm
Artist Talk: Saturday, October 13, 3pm

Tuesday, October 2, 2018

Artist Spotlight: Cheryl Dimant - Looking Closer

Cheryl Dimant, Clear Blue Day, Archival print on paper
TAG Gallery is proud to present Looking Closer a body of work by photographer Cheryl Dimont. The exhibition uses photography as a catalyst to investigate the various nuances and complex structures of the natural and man-made worlds.
Cheryl Dimant, Sky Scraper Sky, Archival print on paper
Dimont has always subscribed to the belief that beauty can be found everywhere in life. As such, she atttempts to cut through the periphery and concentrate on what really matters.
Cheryl Dimant, See Me, Archival print on paper
“I see pockets of design and pattern everywhere. They add a spark to my day. They give me little moments of quiet and help me find some order within the chaos.”
Cheryl Dimant, Salmon Run, Archival print on paper
The exhibition runs through October 20.
Opening Reception: Saturday, October 6, 5-8pm
Artist Talk: Saturday, October 13, 3pm

Friday, September 28, 2018

Artist Spotlight: Elyse Wyman - Signs of the Times

Elyse Wyman, Fire In the Belly, Mixed media bas-relief, 32 x 15 x 4"
Elyse Wyman’s new body of work continues her exploration of the interrelationships and dynamics of female identity, self-perception, personal worth, sexuality and power. Through the medium of transparent bas-relief sculpture, she presents the female torso as both physical and psychological container, fusing separate entities to reveal things we often take for granted. Her ongoing scrutiny of the female figure intersects squarely with the #MeToo and Time’s Up movements.
Elyse Wyman, Stop Abuse, Mixed media bas-relief, 32 x 15 x 4"
Seemingly ordinary road and warning signs such as “Stop” or “Rough Road” take on new meaning when placed inside the female form. This juncture of disparate elements leads to new interpretations. Wyman’s mixed-media sculptures illuminate a deeper, generally hidden emotional intensity often alluding to harassment both visible and unseen.
Elyse Wyman, Rough Road, Mixed media bas-relief, 32 x 15 x 4"
Elyse Wyman was born in Los Angeles and received her BA in Fine Arts (Cum Laude) from UCLA. She furthered her art education in Paris, France at the Academie de La Grande Chaumiere. Ms. Wyman has pursued parallel careers in both fine arts and graphic design. As a graphic artist for A&M records she designed albums, posters, music books, advertising and billboards. Currently, as art director and owner of DesignWorks, Unlimited Graphic Design Studio, her clients have included A&M Records, American Ballet Theatre, American Film Institute, ASCAP, Chevron, Disc Marketing, General Mills, UCLA, United Airlines, Toyota, Victoria’s Secret, Warner Brothers, Women in Film, and many others.
Elyse Wyman, Stop Abuse, Mixed media bas-relief, 32 x 15 x 4"

The exhibition runs through October 20.
Opening Reception: Saturday, October 6, 5-8pm
Artist Talk: Saturday, October 13, 3pm

Tuesday, September 25, 2018

Current Exhibition: Cheryl Dimont, Sunhee Joo, Marion Wood, Elyse Wyman

September 25 - October 20, 2018
Opening Reception: Saturday, October 6, 5-8pm
Artist Talk: Saturday, October 13, 3pm

Cheryl Dimont -- Looking Closer
Cheryl Dimont, The Quilt, Archieval pigment print
Sunhee Joo -- Message of Love
Sunhee Joo, The Kite Flyer, Digital painting, 9 x 9"
Marion Wood -- Field Notes
Marion Wood, Grounded, Acrylic, 48 x 30"
Elyse Wyman -- Signs of the Times
Elyse Wyman, Choice, Mixed media bas-relief, 32 x 15 x 4"

Tuesday, September 11, 2018

Artist Spotlight: Karen Sarrow -- FEM

Karen Sarrow, Protectors, Vets Arrive at DAPL, Acrylic and oil on linen, 25 x 31"
Karen Sarrow’s new exhibition, FEM, is comprised of a series of political paintings depicting struggles and environmental activism.
Karen Sarrow, After 9-11, Acrylic and mixed media on linen, 17 x 17"
The piece After 9-11 was painted during the Obama Administration, partly celebrating how the country had come together to elect a new President, reflected by the purple morning glories, and mourning the recent history of the Iraq War and violence in the Middle East. The future is obscured by the present immediacy of a chain link fence, with the fog of war and the tragedy of 9-11 in a faded vision inside the fence.
Karen Sarrow, Chain, Acrylic and mixed media on linen, 17 x 17"
Chain, painted prior to After 9-11, was more focused on the position of Sarrow as a new mom, acknowledging that society held the ideals of corporations, religion, energy and chemical exploitation higher than the health of families, children, and the environment.

Themes of human vulnerability permeate the FEM series of paintings, to emphasize that the life of the body is a physical reminder that we only have one earth to protect. The central image of the feminine is one that Sarrow has long waited to represent. The Earth, as an expectant mother, as with the feminine, will ultimately not be overcome by suppression.
Karen Sarrow, Fire Rose I, Acrylic on canvas, 25 x 19"
Karen Sarrow was born in the U.K., and grew up in Missouri. She received an M.A. in Art History from The Ohio State University, and an MFA in Painting from Pratt Institute. She serves as TAG President and co-founder of Imagi.Life. She and her family live in Studio City.


The exhibition runs through September 22, 2018
Artist Talk: Saturday, September 15, 3pm

Thursday, September 6, 2018

Artist Spotlight: Boris Litvinov -- End of Privacy

Boris Litvinov, Data Harvester, discarded parts of household electronics, 31 x 16"
Feeling called to action in the last year, artist Boris Litvinov produced a body of work drastically different from his typical stonework. The works in End of Privacy find Litvinov discarding the traditions of stone carving in favor of found objects and a microelectronic material palette. End of Privacy is a dive into social media’s function as instrumental tool in the spreading of false information, propaganda, and “fake news.”
Boris Litvinov, Ads Attack Kids, found electronic parts and epoxy resin, 25.5 x 44.5"
Previously living under the totalitarian rule of the Soviet era, Litvinov and his family aimed to live under the concept of a free society governed by a true, functioning and healthy democracy. However, since the last election, there has been an alarming increase in the number of hate crimes, calls for violent rhetoric, basic human decency, and empathy from the current administration and president. There has been a systematic, unabated obfuscation of reality, an assault on facts and truth, chaos disguised as political strategy, tax cuts for the rich, overt and blatant obstruction of justice, treasonous behavior domestically and internationally, disregard for and complete ignorance of the content of the foundational document of this great country - all committed by or because of one person whose only concern is for himself.
Boris Litvinov, Propaganda Machine, discarded parts of household electronics, 34 x 34"
End of Privacy asks us to look at our own role in the propaganda machine and how our own social media presence may contribute to an atmosphere of toxicity, lies, and hostility.
Boris Litvinov, Data Storage, discarded parts of household electronics, 29 x 20"
The exhibition runs through September 22, 2018
Artist Talk: Saturday, September 15, 3pm

Tuesday, September 4, 2018

Artist Spotlight: K Ryan Henisey -- Mythologies

K Ryan Henisey, Matrix Zephyri, Ink, metal, foil, oil, paper collage, 40 x 40"
K. Ryan Henisey presents his debut solo exhibition at TAG. Mythologies, selected watercolor, mixed media, and digital works, retells Queer myths from Classic and global mythology using contemporary self-portraiture.
“As a boy, I used to speak to the wind,” says Henisey from his home in West Hollywood. “Mythologies is my celebration of the Wind. These pieces examine queer stories to reveal the mysteries of our divine selves. I am proud to share that the works were inspired by LGBT-themed global myths and my passion for the god of the West Wind.”
K Ryan Henisey, Flore Hyancinthus (Hyacinth Blooms), Ink, metal, foil, oil, paper collage, 40 x 40"
“The Wind may have been an imaginary friend, if you can name the air such a thing,” says Henisey. “But what inspires me most in the Hyacinth myth is the tragic loss that Zephyrus brings upon himself. Like Apollo, the Wind loved a human, and in his passion -- knowing the consequences but choosing them anyway -- killed him. In the myth I recognized a part of myself and it’s that recognition I want to inspire in you.”
K Ryan Henisey, Xochipilli Caerulem inter Toxicondendron, Handcut paper, 24 x 18"
In addition to his queer-themed gallery work, Henisey is engaging Instagram’s Queer communities with surprise selfie renderings. His current set is focused on trans men.
K Ryan Henisey, Via Kalifornica (Kalifornica Road), Watercolor, metal foil, 42 x 36"
The exhibition runs through September 22, 2018
Artist Talk: Saturday, September 15, 3pm

Thursday, August 30, 2018

Artist Spotlight: Pam Douglas -- Artifacts of Grace

Pam Douglas, Bionic Angel, Acrylic, clay, copper wire, tree parts, 25 x 66 x 10"
Artifacts of Grace, is a solo exhibition by Pam Douglas whose body of work inspires human connection and resolve within female figures inhabiting found palm fronds and tree branches. Having broached sculptural substrates to paint on for the first time, Douglas fuses the materials’ physical qualities to highlight the human form. The works confront the viewer as complex objects of narrative, emotional, and physical contradiction. Douglas envisions her pieces as part of a larger dialogue raising awareness of not only immediate humanitarian crises, but as embodiments of women’s stories worldwide.
Pam Douglas, Stay With Me, Acrylic, clay, grasses on palm frond, 64 x 28 x 20"
Douglas comments, “Children wrenched from their mother’s arms compelled me to my newest work Stay With Me. I tried to express optimism in this series but the horror at the border hurts too much. I didn’t want to illustrate issues or use my art as one more in a chorus of complaint. So most of this series reaches beyond this moment. But we are in a startling time. We’ve heard the cries of imprisoned children, and these works express a profound urge to avow our power and a refusal to be repressed.”
Pam Douglas, The Big Hug, Acrylic, clay, grasses, plastic egg, silk on palm frond, 50 x 24 x 10"

Pam Douglas is a Los Angeles based artist whose works have been included in the California African-American Museum and the Los Angeles County Museum of Art (LACMA), has been covered by Sharia Nys Dambrot in the Huffington Post, and by Scarlet Cheng, contributor to the Los Angeles Times.
Pam Douglas, Pilgrimage, Acrylic, toy shoes on tree bark, 12 x 40 x 10"
The exhibition runs through September 22, 2018
Opening Reception: Saturday, September 1, 6-10pm
Artist Talk: Saturday, September 15, 3pm

Tuesday, August 28, 2018

Current Exhibition: Pam Douglas, K Ryan Henisey, Boris Litvinov, Karen Sarrow

August 28 - September 22, 2018
Opening Reception: Saturday, September 1, 6-10pm
Artist Talk: Saturday, September 15, 3pm


Pam Douglas - Artifacts of Grace
Pam Douglas, Idol, Acrylic, clay, grasses, tree parts, 80 x 30 x 12"
K Ryan Henisey - Mythologies
K Ryan Henisey, Trans Sebastian, Watercoloer and metal foil, 36 x 42"
Boris Litvinov - End of Privacy
Boris Litvinov, Putin’s Web (Паутина Путина), Recycled consumer electronics embedded in epoxy resin, 26 x 45”
Karen Sarrow - FEM
Karen Sarrow, One Nation II, Acrylic, 82 x 62"

Thursday, August 23, 2018

2018 CA Open Selections -- Portraits

The exhibition is open through August 25.
Melinda Arredondo, Reine, Archival print photograph, 24 x 36"
Melinda Arredondo, Maria Luz, Archival print photograph, 37 x 28"
Carson Barnes, Eleuteria Gregori Brioschi at 40, 1948, Archival pigment print, 27 x 18"
Carson Barnes, Princess Emily Doria Pamphilij at 39, 1904, after Canonica, Archival pigment print, 18 x 12"
Dennis Carrie, Konrad, Mixed media, 28 x 22"
Brian DiNicola, Signs of Life, Oil on panel, 16 x 12"
Brian DiNicola, Seance, Oil on panel, 14 x 11"
Daniel Fitzpatrick, James with Black Eye, Oil on linen, 16 x 12"
Daniel Fitzpatrick, The Toll, Oil on linen, 25.5 x 22"
Lena Moross, David & Dominic #1, Watercolor and ink on paper, 45 x 45"
Williams Reynolds-Green, Selfie, Acrylic on wood, 20 x 16"
Partic Stillman, Free Radical, Tribute to Harry Hay, Acrylic, 24 x 24"
Hedy Torres, Are they wrong, am I right, am I wrong? And you just kind o..., Oil on canvas, 48 x 36"