Thursday, April 26, 2018

Artist Spotlight: Toni Reinis - Looking But Not Seeing

Toni Reinis, Trish, Clay w/patina, 19 x 11.5 x 11.5"
In her inaugural exhibition at TAG, Looking But Not Seeing, Toni Reinis tackles social issues that we observe but often overlook. The artist believes that one can look, but it takes wisdom, knowledge, and empathy to actually see and interpret the human form and facial expressions.Looking But Not Seeing focuses on matters such as depression, discrimination and military sexual trauma (MST). 
Toni Reinis, Solitary Confinement, Clay w/patina, 14.5 x 9 x 12"
Solitary Confinement, a rusted clay sculpture, depicts a man who is suffering months or years of isolation. Employing form and rough clay surfaces, Reinis challenges the viewer to empathize with this man, and question why society may have become complacent in his torture. The California constitution condemns the use of torture, yet prisons routinely utilize confinement as a justified form of punishment. Inmates have no shoes, no clothing, no writing instruments, nothing. As a result, suicide is not uncommon in these situations of excessive deprivation.
Toni Reinis, Manzanar, Clay w/patina, 16.5 x 11 x 8"
Toni Reinis’ sculpture begins with live models and clay. Finished pieces are fired and often cast into materials such as bronze, resin or liquid stone. The sculptures are refined with paint, organic objects and industrial finishes. Reinis utilizes her knowledge of the human form to enact intricate storytelling with each piece.
Toni Reinis, pledge of allegiance, Painted clay w/ fabric and metal, 63 x 12 x 12"
Through this body of sculptural work, Reinis aims to convey the stories of those she has met. Looking But Not Seeing promotes viewers to not just look at the work, but to be drawn in and understand the emotions and traumas of others.

Tuesday, April 17 - Saturday, May 12
Artist Talk: Saturday, April 28, 3 p.m.

Tuesday, April 24, 2018

Artist Spotlight: Jenny Revitz Soper - Twisted Visions

Jenny Revitz Soper, Attempt at Subversion, Digitally Twisted Photograph, 16 x 24"
Jenny Revitz Soper’s Twisted Visions exhibition at TAG is a nostalgic revisit for some, but for many, a new trip.
Jenny Revitz Soper, The First Ammendment is Alive and Well at McDonalds, Digitally Twisted Photograph, 40 x 30"
Her photography presents a mind-blowing, wildly colored dimension slightly off to one side. She transforms the ordinary to the extraordinary with clever juxtaposition, contradiction, color and whimsy. It is spontaneous, yet not unconsidered.
Jenny Revitz Soper, Subway Man, Digitally Twisted Photograph, 22.5 x 30"
Soper’s visual narrative takes us back to a time when “psychedelic” was a household word and colors glowed with black light or without. Her vision is a place of fun, humor and neon colors. Frameless, nothing stops the art from spreading to the edges and beyond. 
Jenny Revitz Soper, The Aperture, Digitally Twisted Photograph, 22.5 x 30"
Twisted Visions invites the onlooker into the unknown and the disorienting. It’s a scene, man.

Tuesday, April 17 - Saturday, May 12
Artist Talk: Saturday, April 28, 3 p.m.

Tuesday, April 17, 2018

Current Exhibition: Sally Jacobs, Ernie Marjoram, Toni Reinis, Jenny Revitz Soper

Tuesday, April 17 - Saturday, May 12
Opening Reception: Saturday, April 21, 5-8 p.m.
Artist Talk: Saturday, April 28, 3 p.m.

Sally Jacobs - Sunday At The Farmers Market
Sally Jacobs, Hydrangea, Watercolor, 17 x 19"

Ernie Marjoram - Selected Paintings
Ernie Marjoram, Eye Candy, Oil, 12 x 12"
Toni Reinis - Looking But Not Seeing
Toni Reinis, LaShanda, Clay with patina and steel wool, 18 x 13 x 11"
Jenny Revitz Soper - Twisted Visions
Jenny Revitz Soper, Metal Face: Yellow, Digitally twisted photograph, 24 x 18"